Sunday, August 13, 2006
The Lady and the Unicorn
by Tracey Chevalier
The Lady in the Unicorn" is Tracy Chevalier's fourth novel. She is the author of the best selling (and recently a major motion picture) "Girl with a Pearl Earring". Tracy Chevalier seems to write the same sort of novel each time, but because the subjects are different, the ways the novels play out are different. The technique that Chevalier uses is that she takes a painting that I presume she likes (or is just interested in). She learns as much of the backstory of the painting as possible and then writes a fictional novel about how this painting came about and who the artist and subjects are. In the two Chevalier novels I have read now, this has turned out to be much more interesting than it may at first sound.
The story in "The Lady and the Unicorn" is set in 15th Century Paris and Brussels. Nicolas des Innocents has been commissioned to create a set of tapestries for a minor member of the French nobility Jean Le Viste. This seems simple enough: Commission, Paint, Weave, Complete. What sets this novel apart is in the telling. Nicolas is a talented artist, but rather arrogant about his art. He mainly paints miniatures in great detail and has never had to design a tapestry (it takes a different sort of skill to design a tapestry). But Nicolas is also a lusty man. Months prior he had impregnated a maid at Le Viste's estate and this time he has his eye on a young woman named Claude. It also seems that Claude has her eye on Nicolas. There wouldn't be any trouble (or much) if it didn't turn out that Claude is Jean Le Viste's eldest daughter and heir to the estate. Now any tryst must be secret, but Claude's mother knows something is afoot so she works to keep them apart so Claude may keep her virginity and be an eligible bride with the estate as a dowry.
The scene later shifts to the weavers who will actually make the tapestries. Nicolas defies all custom and is personally involved in nearly all aspects of the making of the tapestries. He is no less lusty now that he is away from Claude, but we get to see more of his character as this section of the novel progresses. Throughout the novel we see how Nicolas's inspiration for the tapestry evolves and why he is creating the tapestries quite the way that he is. We get glimpses into the lives of the weavers, Nicolas, as well as Claude. This novel is told with multiple narrators in such a way that the shift in narration feels appropriate and smooth and these shifts serve to better advance the story and keep it moving along.
The opening of "The Lady and the Unicorn" felt a little crude with Nicolas's crass sexual interest in Claude, but as the novel wore on there became fewer crass lines and everything felt natural. For a novel about tapestries (but really about relationships), this one was fairly fast paced.
The Lady in the Unicorn" is Tracy Chevalier's fourth novel. She is the author of the best selling (and recently a major motion picture) "Girl with a Pearl Earring". Tracy Chevalier seems to write the same sort of novel each time, but because the subjects are different, the ways the novels play out are different. The technique that Chevalier uses is that she takes a painting that I presume she likes (or is just interested in). She learns as much of the backstory of the painting as possible and then writes a fictional novel about how this painting came about and who the artist and subjects are. In the two Chevalier novels I have read now, this has turned out to be much more interesting than it may at first sound.
The story in "The Lady and the Unicorn" is set in 15th Century Paris and Brussels. Nicolas des Innocents has been commissioned to create a set of tapestries for a minor member of the French nobility Jean Le Viste. This seems simple enough: Commission, Paint, Weave, Complete. What sets this novel apart is in the telling. Nicolas is a talented artist, but rather arrogant about his art. He mainly paints miniatures in great detail and has never had to design a tapestry (it takes a different sort of skill to design a tapestry). But Nicolas is also a lusty man. Months prior he had impregnated a maid at Le Viste's estate and this time he has his eye on a young woman named Claude. It also seems that Claude has her eye on Nicolas. There wouldn't be any trouble (or much) if it didn't turn out that Claude is Jean Le Viste's eldest daughter and heir to the estate. Now any tryst must be secret, but Claude's mother knows something is afoot so she works to keep them apart so Claude may keep her virginity and be an eligible bride with the estate as a dowry.
The scene later shifts to the weavers who will actually make the tapestries. Nicolas defies all custom and is personally involved in nearly all aspects of the making of the tapestries. He is no less lusty now that he is away from Claude, but we get to see more of his character as this section of the novel progresses. Throughout the novel we see how Nicolas's inspiration for the tapestry evolves and why he is creating the tapestries quite the way that he is. We get glimpses into the lives of the weavers, Nicolas, as well as Claude. This novel is told with multiple narrators in such a way that the shift in narration feels appropriate and smooth and these shifts serve to better advance the story and keep it moving along.
The opening of "The Lady and the Unicorn" felt a little crude with Nicolas's crass sexual interest in Claude, but as the novel wore on there became fewer crass lines and everything felt natural. For a novel about tapestries (but really about relationships), this one was fairly fast paced.
Snowflower and the Secret Fan
by Lisa See
This is a great book!
From School Library Journal
Adult/High School–Lily at 80 reflects on her life, beginning with her daughter days in 19th-century rural China. Foot-binding was practiced by all but the poorest families, and the graphic descriptions of it are not for the fainthearted. Yet women had nu shu, their own secret language. At the instigation of a matchmaker, Lily and Snow Flower, a girl from a larger town and supposedly from a well-connected, wealthy family, become laotong, bound together for life. Even after Lily learns that Snow Flower is not from a better family, even when Lily marries above her and Snow Flower beneath her, they remain close, exchanging nu shu written on a fan. When war comes, Lily is separated from her husband and children. She survives the winter helped by Snow Flower's husband, a lowly butcher, until she is reunited with her family. As the years pass, the women's relationship changes; Lily grows more powerful in her community, bitter, and harder, until at last she breaks her bond with Snow Flower. They are not reunited until Lily tries to make the dying Snow Flower's last days comfortable. Their friendship, and this tale, illustrates the most profound of human emotions: love and hate, self-absorption and devotion, pride and humility, to name just a few. Even though the women's culture and upbringing may be vastly different from readers' own, the life lessons are much the same, and they will be remembered long after the details of this fascinating story are forgotten.
This is a great book!
From School Library Journal
Adult/High School–Lily at 80 reflects on her life, beginning with her daughter days in 19th-century rural China. Foot-binding was practiced by all but the poorest families, and the graphic descriptions of it are not for the fainthearted. Yet women had nu shu, their own secret language. At the instigation of a matchmaker, Lily and Snow Flower, a girl from a larger town and supposedly from a well-connected, wealthy family, become laotong, bound together for life. Even after Lily learns that Snow Flower is not from a better family, even when Lily marries above her and Snow Flower beneath her, they remain close, exchanging nu shu written on a fan. When war comes, Lily is separated from her husband and children. She survives the winter helped by Snow Flower's husband, a lowly butcher, until she is reunited with her family. As the years pass, the women's relationship changes; Lily grows more powerful in her community, bitter, and harder, until at last she breaks her bond with Snow Flower. They are not reunited until Lily tries to make the dying Snow Flower's last days comfortable. Their friendship, and this tale, illustrates the most profound of human emotions: love and hate, self-absorption and devotion, pride and humility, to name just a few. Even though the women's culture and upbringing may be vastly different from readers' own, the life lessons are much the same, and they will be remembered long after the details of this fascinating story are forgotten.
Sister of My Heart
by Chitra Banerjee Divakari
Another excellent book.
This beautifully written book is the story of two young women who are born on the same day, in the same home, to newly widowed mothers. The women are cousins, but grow up with a bond that makes them linked like sisters. The two have very different lives, as Anju, the witty and smart one, is truly a member of the Chaterjee family(a family of wealth and privilege), where as Sudha, the beautiful one, is a distant cousin. The story of how Sudha came to be, and who her father really is, is one of the many sub-stories that weaves its way into this intricately developed book.
This book is about love, relationships, and about the fragility of life. It is also about things not always being what they seem. For Anju and Sudha are both forced to enter into arranged marriages. Poor Sudha's heart belongs to a man she met only once but was instantly drawn to, as he was to her. And the man she is led to marry answers none of her prayers. He is tied to his mother whom Sudha is never able to please. That story develops in ways I do not want to give away, but Sudha's character is one of strength and conviction.
Anju is set with a man who she is instantly taken by, and at first he is taken by her, until he meets Sudha. He lives in America, and in time Anju leaves India to become an American wife as well. The complexities of the relationship between Anju and her husband Sunil are never quite revealed, leaving the reader to imagine what is truly going on. However, the tension is obvious, and Anju always remembers the way Sunil looked at her cousin with longing.
Years pass and so do experiences, and Anju and Sudha do not share how they truly feel through letters or phone conversations until finally Anju truly needs her. Sudha's marriage does not quite go as planned, and he life takes unexpected twists and turns. As does Anju's. Ultimately leading them back into each other's arms and hearts.
Another excellent book.
This beautifully written book is the story of two young women who are born on the same day, in the same home, to newly widowed mothers. The women are cousins, but grow up with a bond that makes them linked like sisters. The two have very different lives, as Anju, the witty and smart one, is truly a member of the Chaterjee family(a family of wealth and privilege), where as Sudha, the beautiful one, is a distant cousin. The story of how Sudha came to be, and who her father really is, is one of the many sub-stories that weaves its way into this intricately developed book.
This book is about love, relationships, and about the fragility of life. It is also about things not always being what they seem. For Anju and Sudha are both forced to enter into arranged marriages. Poor Sudha's heart belongs to a man she met only once but was instantly drawn to, as he was to her. And the man she is led to marry answers none of her prayers. He is tied to his mother whom Sudha is never able to please. That story develops in ways I do not want to give away, but Sudha's character is one of strength and conviction.
Anju is set with a man who she is instantly taken by, and at first he is taken by her, until he meets Sudha. He lives in America, and in time Anju leaves India to become an American wife as well. The complexities of the relationship between Anju and her husband Sunil are never quite revealed, leaving the reader to imagine what is truly going on. However, the tension is obvious, and Anju always remembers the way Sunil looked at her cousin with longing.
Years pass and so do experiences, and Anju and Sudha do not share how they truly feel through letters or phone conversations until finally Anju truly needs her. Sudha's marriage does not quite go as planned, and he life takes unexpected twists and turns. As does Anju's. Ultimately leading them back into each other's arms and hearts.
Mary Called Magdalene
by Margaret George
Excellent!
It is easy to understand why there are those who may be uncomfortable with the "humanization" of [specifically] Jesus and his Mother Mary.
For those who believe that Mary, Mother of Jesus was a Virgin her entire life - the contents of this book will cause varying levels of discomfort - and will be either accepted or rejected as the individual reader sees fit. And for those who believe that Jesus was truly adored and spent his days on earth surrounded by a heavenly glow and a halo - this book will certainly create all kinds of mixed emotions.
However the contents of this book helps us to face the fact that Jesus was a man with the same fears, and dreams and mood swings - and expressions of temper [in the Temple] as we do today. Then we read how Mary, Mother of Jesus was burdened with many children - which crushes the "Virgin" beliefs.
But....all that aside...how I grew to love Mary from Magdala from her childhood until her death. I shared the wonders of her world as a child, her fears, her joys of young womanhood that lead us through her happy marriage, motherhood and then sadly, to the pain from the ultimate loss of her family and home. The depiction of her 'demons' [schizophrenia maybe]? was so well portrayed, I found myself involuntarily taking mental inventory of possible forgotten figurines in my home. [No - I'm not neurotic - it only lasted through the first few chapters - I'm back to normal now].
What a pleasure it has been to share Mary of Magdala's life - her losses, her joy of knowing and loving Jesus, her lifelong loyalty to the memory of her daughter - and her fierce determination until her death to make peace with her child.
Excellent!
It is easy to understand why there are those who may be uncomfortable with the "humanization" of [specifically] Jesus and his Mother Mary.
For those who believe that Mary, Mother of Jesus was a Virgin her entire life - the contents of this book will cause varying levels of discomfort - and will be either accepted or rejected as the individual reader sees fit. And for those who believe that Jesus was truly adored and spent his days on earth surrounded by a heavenly glow and a halo - this book will certainly create all kinds of mixed emotions.
However the contents of this book helps us to face the fact that Jesus was a man with the same fears, and dreams and mood swings - and expressions of temper [in the Temple] as we do today. Then we read how Mary, Mother of Jesus was burdened with many children - which crushes the "Virgin" beliefs.
But....all that aside...how I grew to love Mary from Magdala from her childhood until her death. I shared the wonders of her world as a child, her fears, her joys of young womanhood that lead us through her happy marriage, motherhood and then sadly, to the pain from the ultimate loss of her family and home. The depiction of her 'demons' [schizophrenia maybe]? was so well portrayed, I found myself involuntarily taking mental inventory of possible forgotten figurines in my home. [No - I'm not neurotic - it only lasted through the first few chapters - I'm back to normal now].
What a pleasure it has been to share Mary of Magdala's life - her losses, her joy of knowing and loving Jesus, her lifelong loyalty to the memory of her daughter - and her fierce determination until her death to make peace with her child.
