Saturday, August 25, 2007
Princess Sultana's Circle - jean sasson (trilogy)
From Booklist
Sasson and Saudi Princess Sultana follow their earlier accounts of social oppression of women in Arabia with one that focuses on the Saudi royal family and how, despite its wealth and relative freedom from social conventions, its men continue to oppress women. Specific instances include the forced marriage of a young niece to a brutal older man and a cousin's harem of sex slaves. The royal women react with varying degrees of acceptance; an occasional, minor rebellion; and alcohol and drug abuse. Although Sultana's husband is a more enlightened man, she reveals that even she has a drinking problem, brought on by the stress of helplessly witnessing inequities. Sasson and Sultana also detail Islamic culture and teachings and the contradictions between what the Koran teaches regarding women and the cultural interpretations made by men in Saudi society. Sultana has two daughters. One, like her, resists the male-dominated culture, but the other is so traditional that it frightens Sultana. Gossipy but insightful. Vanessa Bush
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
Sasson and Saudi Princess Sultana follow their earlier accounts of social oppression of women in Arabia with one that focuses on the Saudi royal family and how, despite its wealth and relative freedom from social conventions, its men continue to oppress women. Specific instances include the forced marriage of a young niece to a brutal older man and a cousin's harem of sex slaves. The royal women react with varying degrees of acceptance; an occasional, minor rebellion; and alcohol and drug abuse. Although Sultana's husband is a more enlightened man, she reveals that even she has a drinking problem, brought on by the stress of helplessly witnessing inequities. Sasson and Sultana also detail Islamic culture and teachings and the contradictions between what the Koran teaches regarding women and the cultural interpretations made by men in Saudi society. Sultana has two daughters. One, like her, resists the male-dominated culture, but the other is so traditional that it frightens Sultana. Gossipy but insightful. Vanessa Bush
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
Princess Sultana's Daugters - jean sasson
From Publishers Weekly
Sasson's sequel to Princess: A True Story of Life Behind the Veil is another page-turner related by "Princess Sultana." A member of the royal family of Saudi Arabia, Sultana now is married to a progressive prince, but this privileged status does not protect her or her two daughters from the country's repressive laws against women. Though a devout Muslim, Sultana believes the entrenched male power structure has perverted religious doctrine to justify veiling women and depriving them of basic civil liberties. The lack of opportunity to forge equal relationships with men before and after marriage, Sultana argues, is why one of her daughters became fanatically religious and the other suffered a mental breakdown. This eye-opening account is limited to life among the royals rather than a critique of Saudi Arabian society, although Sultana describes the brutal custom of female circumcision practiced by the poor.
Sasson's sequel to Princess: A True Story of Life Behind the Veil is another page-turner related by "Princess Sultana." A member of the royal family of Saudi Arabia, Sultana now is married to a progressive prince, but this privileged status does not protect her or her two daughters from the country's repressive laws against women. Though a devout Muslim, Sultana believes the entrenched male power structure has perverted religious doctrine to justify veiling women and depriving them of basic civil liberties. The lack of opportunity to forge equal relationships with men before and after marriage, Sultana argues, is why one of her daughters became fanatically religious and the other suffered a mental breakdown. This eye-opening account is limited to life among the royals rather than a critique of Saudi Arabian society, although Sultana describes the brutal custom of female circumcision practiced by the poor.
Princess by Jean Sasson
This is a trilogy. After reading this one, I had to read the other two. Daring story told by a Princess in Saudi Arabia of her life.
From Library Journal
One must keep in mind the context of time and place when reading this emotional and exciting book to alleviate some of the horror of the injustices endured by the women described here. Equality of men and women has not worked out in any society, but the status of women in Islam is more problematic in that canon law is applied according to the social climate. Consequently, countries influenced by the West, such as Egypt, are more relaxed than countries like Saudi Arabia that are ruled by strict Hanbali law, which subjects women to unwelcome marriages, execution at whim, and the boredom of purdah . In this book, Sasson ( The Rape of Kuwait , Knightsbridge Pub. Co., 1991) tells the fascinating story of "Sultana," an unidentified Saudi princess who yearns for recognition in her own right, not as an adjunct of men. For those who wish to know more, Soraya Altorki's Women in Saudi Arabia ( LJ 1/86) and Paryeen Shaukat Ali's Status of Women in the Muslim World (Aziz Pub., 1975. o.p.) are good
From Library Journal
One must keep in mind the context of time and place when reading this emotional and exciting book to alleviate some of the horror of the injustices endured by the women described here. Equality of men and women has not worked out in any society, but the status of women in Islam is more problematic in that canon law is applied according to the social climate. Consequently, countries influenced by the West, such as Egypt, are more relaxed than countries like Saudi Arabia that are ruled by strict Hanbali law, which subjects women to unwelcome marriages, execution at whim, and the boredom of purdah . In this book, Sasson ( The Rape of Kuwait , Knightsbridge Pub. Co., 1991) tells the fascinating story of "Sultana," an unidentified Saudi princess who yearns for recognition in her own right, not as an adjunct of men. For those who wish to know more, Soraya Altorki's Women in Saudi Arabia ( LJ 1/86) and Paryeen Shaukat Ali's Status of Women in the Muslim World (Aziz Pub., 1975. o.p.) are good
Montana 1948 by Larry Watson
Interesting story about who to be loyal to, the law or the familiy. I can see a movie being made from this book.
From Library Journal
A young Sioux woman tossing with fever on a cot; a father begging his wife for help; a mother standing uncertainly in her kitchen with a 12-gauge shotgun: from these fragments of memory, evoked by the narrator as the novel opens, Watson builds a simple but powerful tale. It is Montana in 1948, and young David Hayden's father, Wesley, is sheriff of their small town--a position he inherited from his domineering father. Wesley is overshadowed by his older brother, Frank, a war hero who is now the town doctor. When Marie, the Sioux woman who works for the Haydens, fall ill, she adamantly resists being examined by Frank. Some probing reveals that Frank has been molesting the Indian women in his care. Wesley's dilemma--should he turn in his own brother?--is intensified when Marie is found dead and David confesses that he saw his uncle near the house before she died. The moral issues, and the consequences of following one's conscience, are made painfully evident here. Watson is to be congratulated for the honesty of his writing and the purity of his prose. Highly recommended.
- Barbara Hoffert, "Library Journal"
From Library Journal
A young Sioux woman tossing with fever on a cot; a father begging his wife for help; a mother standing uncertainly in her kitchen with a 12-gauge shotgun: from these fragments of memory, evoked by the narrator as the novel opens, Watson builds a simple but powerful tale. It is Montana in 1948, and young David Hayden's father, Wesley, is sheriff of their small town--a position he inherited from his domineering father. Wesley is overshadowed by his older brother, Frank, a war hero who is now the town doctor. When Marie, the Sioux woman who works for the Haydens, fall ill, she adamantly resists being examined by Frank. Some probing reveals that Frank has been molesting the Indian women in his care. Wesley's dilemma--should he turn in his own brother?--is intensified when Marie is found dead and David confesses that he saw his uncle near the house before she died. The moral issues, and the consequences of following one's conscience, are made painfully evident here. Watson is to be congratulated for the honesty of his writing and the purity of his prose. Highly recommended.
- Barbara Hoffert, "Library Journal"
Namesake by Jhumpa Lahiri's
I loved this book so much, I just picked up her book, Interperter of Maladies.
Amazon.com
Any talk of The Namesake--Jhumpa Lahiri's follow-up to her Pulitzer Prize-winning debut, Interpreter of Maladies--must begin with a name: Gogol Ganguli. Born to an Indian academic and his wife, Gogol is afflicted from birth with a name that is neither Indian nor American nor even really a first name at all. He is given the name by his father who, before he came to America to study at MIT, was almost killed in a train wreck in India. Rescuers caught sight of the volume of Nikolai Gogol's short stories that he held, and hauled him from the train. Ashoke gives his American-born son the name as a kind of placeholder, and the awkward thing sticks.
Awkwardness is Gogol's birthright. He grows up a bright American boy, goes to Yale, has pretty girlfriends, becomes a successful architect, but like many second-generation immigrants, he can never quite find his place in the world. There's a lovely section where he dates a wealthy, cultured young Manhattan woman who lives with her charming parents. They fold Gogol into their easy, elegant life, but even here he can find no peace and he breaks off the relationship. His mother finally sets him up on a blind date with the daughter of a Bengali friend, and Gogol thinks he has found his match. Moushumi, like Gogol, is at odds with the Indian-American world she inhabits. She has found, however, a circuitous escape: "At Brown, her rebellion had been academic ... she'd pursued a double major in French. Immersing herself in a third language, a third culture, had been her refuge--she approached French, unlike things American or Indian, without guilt, or misgiving, or expectation of any kind." Lahiri documents these quiet rebellions and random longings with great sensitivity. There's no cleverness or showing-off in The Namesake, just beautifully confident storytelling. Gogol's story is neither comedy nor tragedy; it's simply that ordinary, hard-to-get-down-on-paper commodity: real life. --Claire Dederer
Amazon.com
Any talk of The Namesake--Jhumpa Lahiri's follow-up to her Pulitzer Prize-winning debut, Interpreter of Maladies--must begin with a name: Gogol Ganguli. Born to an Indian academic and his wife, Gogol is afflicted from birth with a name that is neither Indian nor American nor even really a first name at all. He is given the name by his father who, before he came to America to study at MIT, was almost killed in a train wreck in India. Rescuers caught sight of the volume of Nikolai Gogol's short stories that he held, and hauled him from the train. Ashoke gives his American-born son the name as a kind of placeholder, and the awkward thing sticks.
Awkwardness is Gogol's birthright. He grows up a bright American boy, goes to Yale, has pretty girlfriends, becomes a successful architect, but like many second-generation immigrants, he can never quite find his place in the world. There's a lovely section where he dates a wealthy, cultured young Manhattan woman who lives with her charming parents. They fold Gogol into their easy, elegant life, but even here he can find no peace and he breaks off the relationship. His mother finally sets him up on a blind date with the daughter of a Bengali friend, and Gogol thinks he has found his match. Moushumi, like Gogol, is at odds with the Indian-American world she inhabits. She has found, however, a circuitous escape: "At Brown, her rebellion had been academic ... she'd pursued a double major in French. Immersing herself in a third language, a third culture, had been her refuge--she approached French, unlike things American or Indian, without guilt, or misgiving, or expectation of any kind." Lahiri documents these quiet rebellions and random longings with great sensitivity. There's no cleverness or showing-off in The Namesake, just beautifully confident storytelling. Gogol's story is neither comedy nor tragedy; it's simply that ordinary, hard-to-get-down-on-paper commodity: real life. --Claire Dederer
