Thursday, May 03, 2007
Dearly Devoted Dexter
From Publishers Weekly
Starred Review. Forensic blood-spatter analyst Dexter Morgan is a nice guy who enjoys his job, but what he'd rather be doing is killing people. In this follow-up to 2001's Darkly Dreaming Dexter, Dexter is kept from his games of "slice the slasher" (he kills only murderers and pedophiles) by a suspicious Sergeant Doakes. Luckily for listeners, Dexter still finds a way to engage in his grim specialty when a fiendish "doctor" comes to town and leaves his victims brutally butchered, yet alive and crippled. Landrum, who is also an accomplished songwriter, hits all the right notes in this superb audio production, flawlessly matching the sarcastic and sinister tones of the novel. At times lighthearted and good-natured, Landrum's first-person narration of Dexter truly makes the character come alive. His transitions between character voices are perfectly consistent—he handles cocky men, grizzled veterans, tough female cops and demure women with equal flair, including a wonderfully quirky and disturbing voice for the novel's villain. Dexter is the most darkly charming and compelling serial killer since Hannibal Lecter, and this production is a sure-fire candidate for audiobook of the year.
Starred Review. Forensic blood-spatter analyst Dexter Morgan is a nice guy who enjoys his job, but what he'd rather be doing is killing people. In this follow-up to 2001's Darkly Dreaming Dexter, Dexter is kept from his games of "slice the slasher" (he kills only murderers and pedophiles) by a suspicious Sergeant Doakes. Luckily for listeners, Dexter still finds a way to engage in his grim specialty when a fiendish "doctor" comes to town and leaves his victims brutally butchered, yet alive and crippled. Landrum, who is also an accomplished songwriter, hits all the right notes in this superb audio production, flawlessly matching the sarcastic and sinister tones of the novel. At times lighthearted and good-natured, Landrum's first-person narration of Dexter truly makes the character come alive. His transitions between character voices are perfectly consistent—he handles cocky men, grizzled veterans, tough female cops and demure women with equal flair, including a wonderfully quirky and disturbing voice for the novel's villain. Dexter is the most darkly charming and compelling serial killer since Hannibal Lecter, and this production is a sure-fire candidate for audiobook of the year.
Darkly Dreaming Dexter
Amazon.com
Meet Dexter Morgan. He's a highly respected lab technician specializing in blood spatter for the Miami Dade Police Department. He's a handsome, though reluctant, ladies' man. He's polite, says all the right things, and rarely calls attention to himself. He's also a sociopathic serial killer whose "Dark Passenger" drives him to commit the occasional dismemberment.
Mind you, Dexter's the good guy in this story.
Adopted at the age of four after an unnamed tragedy left him orphaned, Dexter's learned, with help from his pragmatic policeman father, to channel his "gift," killing only those who deal in death themselves. But when a new serial killer starts working in Miami, staging elaborately grisly scenes that are, to Dexter, an obvious attempt at communication from one monster to another, the eponymous protagonist finds himself at a loss. Should he help his policewoman sister Deborah earn a promotion to the Homicide desk by finding the fiend? Or should he locate this new killer himself, so he can express his admiration for the other's "art?" Or is it possible that psycho Dexter himself, admittedly not the most balanced of fellows, is finally going completely insane and committing these messy crimes himself?
Despite his penchant for vivisection, it's hard not to like Dexter as his coldly logical personality struggles to emulate emotions he doesn't feel and to keep up his appearance as a caring, unremarkable human being. Breakout author Jeff Lindsay's plot is tense and absorbing, but it's the voice of Dexter and his reactions to the other characters that will keep readers glued to Darkly Dreaming Dexter, as well as making it one of the most original and highly recommended serial killer stories in a long time
Meet Dexter Morgan. He's a highly respected lab technician specializing in blood spatter for the Miami Dade Police Department. He's a handsome, though reluctant, ladies' man. He's polite, says all the right things, and rarely calls attention to himself. He's also a sociopathic serial killer whose "Dark Passenger" drives him to commit the occasional dismemberment.
Mind you, Dexter's the good guy in this story.
Adopted at the age of four after an unnamed tragedy left him orphaned, Dexter's learned, with help from his pragmatic policeman father, to channel his "gift," killing only those who deal in death themselves. But when a new serial killer starts working in Miami, staging elaborately grisly scenes that are, to Dexter, an obvious attempt at communication from one monster to another, the eponymous protagonist finds himself at a loss. Should he help his policewoman sister Deborah earn a promotion to the Homicide desk by finding the fiend? Or should he locate this new killer himself, so he can express his admiration for the other's "art?" Or is it possible that psycho Dexter himself, admittedly not the most balanced of fellows, is finally going completely insane and committing these messy crimes himself?
Despite his penchant for vivisection, it's hard not to like Dexter as his coldly logical personality struggles to emulate emotions he doesn't feel and to keep up his appearance as a caring, unremarkable human being. Breakout author Jeff Lindsay's plot is tense and absorbing, but it's the voice of Dexter and his reactions to the other characters that will keep readers glued to Darkly Dreaming Dexter, as well as making it one of the most original and highly recommended serial killer stories in a long time
Sister of my Heart
From Publishers Weekly
Like the old tales of India that are filled with emotional filigree and flowery prose, Divakaruni's (The Mistress of Spices) latest work is a masterful allegory of unfulfilled desire and sacrificial love. It is also an intricate modern drama in which generations and castes struggle over old and new mores. Anju and Sudha are cousins, born in the same household in Calcutta on the same day?which is also the day on which their mothers learn that both their husbands have been killed in a reckless quest for a cave full of rubies. Sudha grows up believing her father was a no-good schemer who brought ruin on his cousin, Anju's upper-class father. As they mature, Anju dreams of college, Sudha of children, but arranged marriages divide and thwart them. Anju adjusts to life in California with a man who lusts after Sudha; Sudha grapples with a mother-in-law who turns to the goddess Shasti to fill Sudha's barren womb rather than to a doctor for her sterile son. Ultimately, the tie between Anju and Sudha supersedes all other love, as each sustains painful loss to save the other. When Sudha learns the truth about her father and no longer needs to right his wrongs, she sees that all along her affection for Anju has not been dictated by necessity. An inspired and imaginative raconteur, Divakaruni is sure to engender comparisons with Arundhati Roy (The God of Small Things), but Divakaruni's novel stands in its own right as a compelling read. If her prose sometimes veers toward the purple, her mesmerizing narrative sustains it well. Agent, Sandra Dijkstra; author tour.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Like the old tales of India that are filled with emotional filigree and flowery prose, Divakaruni's (The Mistress of Spices) latest work is a masterful allegory of unfulfilled desire and sacrificial love. It is also an intricate modern drama in which generations and castes struggle over old and new mores. Anju and Sudha are cousins, born in the same household in Calcutta on the same day?which is also the day on which their mothers learn that both their husbands have been killed in a reckless quest for a cave full of rubies. Sudha grows up believing her father was a no-good schemer who brought ruin on his cousin, Anju's upper-class father. As they mature, Anju dreams of college, Sudha of children, but arranged marriages divide and thwart them. Anju adjusts to life in California with a man who lusts after Sudha; Sudha grapples with a mother-in-law who turns to the goddess Shasti to fill Sudha's barren womb rather than to a doctor for her sterile son. Ultimately, the tie between Anju and Sudha supersedes all other love, as each sustains painful loss to save the other. When Sudha learns the truth about her father and no longer needs to right his wrongs, she sees that all along her affection for Anju has not been dictated by necessity. An inspired and imaginative raconteur, Divakaruni is sure to engender comparisons with Arundhati Roy (The God of Small Things), but Divakaruni's novel stands in its own right as a compelling read. If her prose sometimes veers toward the purple, her mesmerizing narrative sustains it well. Agent, Sandra Dijkstra; author tour.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
For One More Day
Mitch Albom pays homage to all mothers with this novel that beautifully shows the enduring power of a mother's love, a love so strong it can transcend even death. The moral of the story is not particularly original and not even handled in a unique way. But, grab the hankies and prepare to spend several hours reminiscing along with Chick Benetto about the things you wish you had done better with your own mother. Chick Benetto has hit rock bottom---divorced, alcoholic, has-been baseball player, and now comes the ultimate slap-in-the-face---his beloved daughter does not invite him to her wedding. After being shut out of the biggest day in his only child's life, Chick sees no point in continuing his miserable life and attempts suicide. But for his suicide he is drawn once again to Pepperville Beach, to the modest home where he grew up with his mom, dad, and sister. That is, until his dad deserted the family and life changed dramatically. The surprise for Chick is that his mom is still in the house. Intellectually, he knows she died ten years ago but here she is---cooking his food, sharing stories, giving advice.
The reader learns about all the times Chick's mom stood up for him and all the times he let her down. The writing is smooth and poignant, the memories both joyful and sad. If you have lost your own parents, the words will be doubly sad. But Chick has been given a very special gift: he learns that when someone is in your heart, they're never truly gone and they can come back to you, even at unlikely times. Chick has the unheard of luxury of being able to spend just one more day with his mother, having the chance to ask questions about things that have bothered him, finding out at last why his father left, and much more. How does it happen? Is this just another ghost story or a religious experience for non-believers? I think I shed the most tears when I realized at novel's end who was telling the story.
I think sentimental readers will find this one enjoyable and uplifting. So take it for what it is, a nostalgic trip back to childhood, that period of time that never lets you go, even when you're so wrecked it's hard to believe you ever were a child.
The reader learns about all the times Chick's mom stood up for him and all the times he let her down. The writing is smooth and poignant, the memories both joyful and sad. If you have lost your own parents, the words will be doubly sad. But Chick has been given a very special gift: he learns that when someone is in your heart, they're never truly gone and they can come back to you, even at unlikely times. Chick has the unheard of luxury of being able to spend just one more day with his mother, having the chance to ask questions about things that have bothered him, finding out at last why his father left, and much more. How does it happen? Is this just another ghost story or a religious experience for non-believers? I think I shed the most tears when I realized at novel's end who was telling the story.
I think sentimental readers will find this one enjoyable and uplifting. So take it for what it is, a nostalgic trip back to childhood, that period of time that never lets you go, even when you're so wrecked it's hard to believe you ever were a child.
The 13th Tale
There are two heroines here: Vida Winter, a famous author, whose life story is coming to an end, and Margaret Lea, a young, unworldly, bookish girl who is a bookseller in her father's shop. Vida has been confounding her biographers and fans for years by giving everybody a different version of her life, each time swearing it's the truth. Because of a biography that Margaret has written about brothers, Vida chooses Margaret to tell her story, all of it, for the first time. At their initial meeting, the conversation begins:
"You have given nineteen different versions of your life story to journalists in the last two years alone."
She [Vida] shrugged. "It's my profession. I'm a storyteller."
"I am a biographer, I work with facts."
The game is afoot and Margaret must spend some time sorting out whether or not Vida is actually ready to tell the whole truth. There is more here of Margaret discovering than of Vida cooperating wholeheartedly, but that is part of Vida's plan.
Margaret has a story of her own: she was one of conjoined twins and her sister died so that Margaret could live. She feels an otherworldly aura sometimes or a yearning for a part of her that is forever missing. Vida's story involves two wild girls--feral twins (is she one of them?)--who would have been better off being suckled by wolves. Instead, their mother and uncle, involved in things too unsavory to contemplate, combine to neglect them woefully. There's also a governess, a Doctor, a kindly housekeeper, a gardener, and another presence--a very strange presence--which Margaret perceives as a ghost at first. Making obeisance to other great ghost stories, there is a deadly fire, a beautiful old house gone to ruin, and always that presence....
The transformative power of truth informs the lives of both women by story's end, and The Thirteenth Tale is finally and convincingly told. --Valerie Ryan
"You have given nineteen different versions of your life story to journalists in the last two years alone."
She [Vida] shrugged. "It's my profession. I'm a storyteller."
"I am a biographer, I work with facts."
The game is afoot and Margaret must spend some time sorting out whether or not Vida is actually ready to tell the whole truth. There is more here of Margaret discovering than of Vida cooperating wholeheartedly, but that is part of Vida's plan.
Margaret has a story of her own: she was one of conjoined twins and her sister died so that Margaret could live. She feels an otherworldly aura sometimes or a yearning for a part of her that is forever missing. Vida's story involves two wild girls--feral twins (is she one of them?)--who would have been better off being suckled by wolves. Instead, their mother and uncle, involved in things too unsavory to contemplate, combine to neglect them woefully. There's also a governess, a Doctor, a kindly housekeeper, a gardener, and another presence--a very strange presence--which Margaret perceives as a ghost at first. Making obeisance to other great ghost stories, there is a deadly fire, a beautiful old house gone to ruin, and always that presence....
The transformative power of truth informs the lives of both women by story's end, and The Thirteenth Tale is finally and convincingly told. --Valerie Ryan
The Alchemist's Daughter by Katharine McMahon
There are long-held secrets at the manor house in Buckinghamshire, England, where Emilie Selden has been raised in near isolation by her father. A student of Isaac Newton, John Selden believes he can turn his daughter into a brilliant natural philosopher and alchemist. Secluded in their ancient house, with only two servants for company, he fills Emilie with knowledge and records her progress obsessively.
In the spring of 1725, father and daughter begin their most daring alchemical experiment to date --- they will attempt to breathe life into dead matter. But their work is interrupted by the arrival of two strangers: one a researcher, the other a dazzling young merchant. During the course of a sultry August, while her father is away, Emilie experiences the passion of first love. Listening to her heart rather than her head, she makes a choice.
Banished to London and plunged headlong into a society that is both glamorous and ruthless, Emilie discovers that for all her extraordinary education she has no insight into the workings of the human heart. When she tries to return to the world of books and study, she instead unravels a shocking secret that sets her on her true journey to enlightenment.
In the spring of 1725, father and daughter begin their most daring alchemical experiment to date --- they will attempt to breathe life into dead matter. But their work is interrupted by the arrival of two strangers: one a researcher, the other a dazzling young merchant. During the course of a sultry August, while her father is away, Emilie experiences the passion of first love. Listening to her heart rather than her head, she makes a choice.
Banished to London and plunged headlong into a society that is both glamorous and ruthless, Emilie discovers that for all her extraordinary education she has no insight into the workings of the human heart. When she tries to return to the world of books and study, she instead unravels a shocking secret that sets her on her true journey to enlightenment.
