Saturday, August 25, 2007
Princess Sultana's Circle - jean sasson (trilogy)
From Booklist
Sasson and Saudi Princess Sultana follow their earlier accounts of social oppression of women in Arabia with one that focuses on the Saudi royal family and how, despite its wealth and relative freedom from social conventions, its men continue to oppress women. Specific instances include the forced marriage of a young niece to a brutal older man and a cousin's harem of sex slaves. The royal women react with varying degrees of acceptance; an occasional, minor rebellion; and alcohol and drug abuse. Although Sultana's husband is a more enlightened man, she reveals that even she has a drinking problem, brought on by the stress of helplessly witnessing inequities. Sasson and Sultana also detail Islamic culture and teachings and the contradictions between what the Koran teaches regarding women and the cultural interpretations made by men in Saudi society. Sultana has two daughters. One, like her, resists the male-dominated culture, but the other is so traditional that it frightens Sultana. Gossipy but insightful. Vanessa Bush
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
Sasson and Saudi Princess Sultana follow their earlier accounts of social oppression of women in Arabia with one that focuses on the Saudi royal family and how, despite its wealth and relative freedom from social conventions, its men continue to oppress women. Specific instances include the forced marriage of a young niece to a brutal older man and a cousin's harem of sex slaves. The royal women react with varying degrees of acceptance; an occasional, minor rebellion; and alcohol and drug abuse. Although Sultana's husband is a more enlightened man, she reveals that even she has a drinking problem, brought on by the stress of helplessly witnessing inequities. Sasson and Sultana also detail Islamic culture and teachings and the contradictions between what the Koran teaches regarding women and the cultural interpretations made by men in Saudi society. Sultana has two daughters. One, like her, resists the male-dominated culture, but the other is so traditional that it frightens Sultana. Gossipy but insightful. Vanessa Bush
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
Princess Sultana's Daugters - jean sasson
From Publishers Weekly
Sasson's sequel to Princess: A True Story of Life Behind the Veil is another page-turner related by "Princess Sultana." A member of the royal family of Saudi Arabia, Sultana now is married to a progressive prince, but this privileged status does not protect her or her two daughters from the country's repressive laws against women. Though a devout Muslim, Sultana believes the entrenched male power structure has perverted religious doctrine to justify veiling women and depriving them of basic civil liberties. The lack of opportunity to forge equal relationships with men before and after marriage, Sultana argues, is why one of her daughters became fanatically religious and the other suffered a mental breakdown. This eye-opening account is limited to life among the royals rather than a critique of Saudi Arabian society, although Sultana describes the brutal custom of female circumcision practiced by the poor.
Sasson's sequel to Princess: A True Story of Life Behind the Veil is another page-turner related by "Princess Sultana." A member of the royal family of Saudi Arabia, Sultana now is married to a progressive prince, but this privileged status does not protect her or her two daughters from the country's repressive laws against women. Though a devout Muslim, Sultana believes the entrenched male power structure has perverted religious doctrine to justify veiling women and depriving them of basic civil liberties. The lack of opportunity to forge equal relationships with men before and after marriage, Sultana argues, is why one of her daughters became fanatically religious and the other suffered a mental breakdown. This eye-opening account is limited to life among the royals rather than a critique of Saudi Arabian society, although Sultana describes the brutal custom of female circumcision practiced by the poor.
Princess by Jean Sasson
This is a trilogy. After reading this one, I had to read the other two. Daring story told by a Princess in Saudi Arabia of her life.
From Library Journal
One must keep in mind the context of time and place when reading this emotional and exciting book to alleviate some of the horror of the injustices endured by the women described here. Equality of men and women has not worked out in any society, but the status of women in Islam is more problematic in that canon law is applied according to the social climate. Consequently, countries influenced by the West, such as Egypt, are more relaxed than countries like Saudi Arabia that are ruled by strict Hanbali law, which subjects women to unwelcome marriages, execution at whim, and the boredom of purdah . In this book, Sasson ( The Rape of Kuwait , Knightsbridge Pub. Co., 1991) tells the fascinating story of "Sultana," an unidentified Saudi princess who yearns for recognition in her own right, not as an adjunct of men. For those who wish to know more, Soraya Altorki's Women in Saudi Arabia ( LJ 1/86) and Paryeen Shaukat Ali's Status of Women in the Muslim World (Aziz Pub., 1975. o.p.) are good
From Library Journal
One must keep in mind the context of time and place when reading this emotional and exciting book to alleviate some of the horror of the injustices endured by the women described here. Equality of men and women has not worked out in any society, but the status of women in Islam is more problematic in that canon law is applied according to the social climate. Consequently, countries influenced by the West, such as Egypt, are more relaxed than countries like Saudi Arabia that are ruled by strict Hanbali law, which subjects women to unwelcome marriages, execution at whim, and the boredom of purdah . In this book, Sasson ( The Rape of Kuwait , Knightsbridge Pub. Co., 1991) tells the fascinating story of "Sultana," an unidentified Saudi princess who yearns for recognition in her own right, not as an adjunct of men. For those who wish to know more, Soraya Altorki's Women in Saudi Arabia ( LJ 1/86) and Paryeen Shaukat Ali's Status of Women in the Muslim World (Aziz Pub., 1975. o.p.) are good
Montana 1948 by Larry Watson
Interesting story about who to be loyal to, the law or the familiy. I can see a movie being made from this book.
From Library Journal
A young Sioux woman tossing with fever on a cot; a father begging his wife for help; a mother standing uncertainly in her kitchen with a 12-gauge shotgun: from these fragments of memory, evoked by the narrator as the novel opens, Watson builds a simple but powerful tale. It is Montana in 1948, and young David Hayden's father, Wesley, is sheriff of their small town--a position he inherited from his domineering father. Wesley is overshadowed by his older brother, Frank, a war hero who is now the town doctor. When Marie, the Sioux woman who works for the Haydens, fall ill, she adamantly resists being examined by Frank. Some probing reveals that Frank has been molesting the Indian women in his care. Wesley's dilemma--should he turn in his own brother?--is intensified when Marie is found dead and David confesses that he saw his uncle near the house before she died. The moral issues, and the consequences of following one's conscience, are made painfully evident here. Watson is to be congratulated for the honesty of his writing and the purity of his prose. Highly recommended.
- Barbara Hoffert, "Library Journal"
From Library Journal
A young Sioux woman tossing with fever on a cot; a father begging his wife for help; a mother standing uncertainly in her kitchen with a 12-gauge shotgun: from these fragments of memory, evoked by the narrator as the novel opens, Watson builds a simple but powerful tale. It is Montana in 1948, and young David Hayden's father, Wesley, is sheriff of their small town--a position he inherited from his domineering father. Wesley is overshadowed by his older brother, Frank, a war hero who is now the town doctor. When Marie, the Sioux woman who works for the Haydens, fall ill, she adamantly resists being examined by Frank. Some probing reveals that Frank has been molesting the Indian women in his care. Wesley's dilemma--should he turn in his own brother?--is intensified when Marie is found dead and David confesses that he saw his uncle near the house before she died. The moral issues, and the consequences of following one's conscience, are made painfully evident here. Watson is to be congratulated for the honesty of his writing and the purity of his prose. Highly recommended.
- Barbara Hoffert, "Library Journal"
Namesake by Jhumpa Lahiri's
I loved this book so much, I just picked up her book, Interperter of Maladies.
Amazon.com
Any talk of The Namesake--Jhumpa Lahiri's follow-up to her Pulitzer Prize-winning debut, Interpreter of Maladies--must begin with a name: Gogol Ganguli. Born to an Indian academic and his wife, Gogol is afflicted from birth with a name that is neither Indian nor American nor even really a first name at all. He is given the name by his father who, before he came to America to study at MIT, was almost killed in a train wreck in India. Rescuers caught sight of the volume of Nikolai Gogol's short stories that he held, and hauled him from the train. Ashoke gives his American-born son the name as a kind of placeholder, and the awkward thing sticks.
Awkwardness is Gogol's birthright. He grows up a bright American boy, goes to Yale, has pretty girlfriends, becomes a successful architect, but like many second-generation immigrants, he can never quite find his place in the world. There's a lovely section where he dates a wealthy, cultured young Manhattan woman who lives with her charming parents. They fold Gogol into their easy, elegant life, but even here he can find no peace and he breaks off the relationship. His mother finally sets him up on a blind date with the daughter of a Bengali friend, and Gogol thinks he has found his match. Moushumi, like Gogol, is at odds with the Indian-American world she inhabits. She has found, however, a circuitous escape: "At Brown, her rebellion had been academic ... she'd pursued a double major in French. Immersing herself in a third language, a third culture, had been her refuge--she approached French, unlike things American or Indian, without guilt, or misgiving, or expectation of any kind." Lahiri documents these quiet rebellions and random longings with great sensitivity. There's no cleverness or showing-off in The Namesake, just beautifully confident storytelling. Gogol's story is neither comedy nor tragedy; it's simply that ordinary, hard-to-get-down-on-paper commodity: real life. --Claire Dederer
Amazon.com
Any talk of The Namesake--Jhumpa Lahiri's follow-up to her Pulitzer Prize-winning debut, Interpreter of Maladies--must begin with a name: Gogol Ganguli. Born to an Indian academic and his wife, Gogol is afflicted from birth with a name that is neither Indian nor American nor even really a first name at all. He is given the name by his father who, before he came to America to study at MIT, was almost killed in a train wreck in India. Rescuers caught sight of the volume of Nikolai Gogol's short stories that he held, and hauled him from the train. Ashoke gives his American-born son the name as a kind of placeholder, and the awkward thing sticks.
Awkwardness is Gogol's birthright. He grows up a bright American boy, goes to Yale, has pretty girlfriends, becomes a successful architect, but like many second-generation immigrants, he can never quite find his place in the world. There's a lovely section where he dates a wealthy, cultured young Manhattan woman who lives with her charming parents. They fold Gogol into their easy, elegant life, but even here he can find no peace and he breaks off the relationship. His mother finally sets him up on a blind date with the daughter of a Bengali friend, and Gogol thinks he has found his match. Moushumi, like Gogol, is at odds with the Indian-American world she inhabits. She has found, however, a circuitous escape: "At Brown, her rebellion had been academic ... she'd pursued a double major in French. Immersing herself in a third language, a third culture, had been her refuge--she approached French, unlike things American or Indian, without guilt, or misgiving, or expectation of any kind." Lahiri documents these quiet rebellions and random longings with great sensitivity. There's no cleverness or showing-off in The Namesake, just beautifully confident storytelling. Gogol's story is neither comedy nor tragedy; it's simply that ordinary, hard-to-get-down-on-paper commodity: real life. --Claire Dederer
Sunday, July 15, 2007
Waiting by Ha Jing
This has some modern day transitional Chinese history, so was interesting in that respect. It was a good read, but not great by any means.
Amazon.com
"Every summer Lin Kong returned to Goose Village to divorce his wife, Shuyu." Like a fairy tale, Ha Jin's masterful novel of love and politics begins with a formula--and like a fairy tale, Waiting uses its slight, deceptively simple framework to encompass a wide range of truths about the human heart. Lin Kong is a Chinese army doctor trapped in an arranged marriage that embarrasses and repels him. (Shuyu has country ways, a withered face, and most humiliating of all, bound feet.) Nevertheless, he's content with his tidy military life, at least until he falls in love with Manna, a nurse at his hospital. Regulations forbid an army officer to divorce without his wife's consent--until 18 years have passed, that is, after which he is free to marry again. So, year after year Lin asks his wife for his freedom, and year after year he returns from the provincial courthouse: still married, still unable to consummate his relationship with Manna. Nothing feeds love like obstacles placed in its way--right? But Jin's novel answers the question of what might have happened to Romeo and Juliet had their romance been stretched out for several decades. In the initial confusion of his chaste love affair, Lin longs for the peace and quiet of his "old rut." Then killing time becomes its own kind of rut, and in the end, he is forced to conclude that he "waited eighteen years just for the sake of waiting."
There's a political allegory here, of course, but it grows naturally from these characters' hearts. Neither Lin nor Manna is especially ideological, and the tumultuous events occurring around them go mostly unnoticed. They meet during a forced military march, and have their first tender moment during an opera about a naval battle. (While the audience shouts, "Down with Japanese Imperialism!" the couple holds hands and gazes dreamily into each other's eyes.) When Lin is in Goose Village one summer, a mutual acquaintance rapes Manna; years later, the rapist appears on a TV report titled "To Get Rich Is Glorious," after having made thousands in construction. Jin resists hammering ideological ironies like these home, but totalitarianism's effects on Lin are clear:
Let me tell you what really happened, the voice said. All those years you waited torpidly, like a sleepwalker, pulled and pushed about by others' opinions, by external pressure, by your illusions, by the official rules you internalized. You were misled by your own frustration and passivity, believing that what you were not allowed to have was what your heart was destined to embrace.
Ha Jin himself served in the People's Liberation Army, and in fact left his native country for the U.S. only in 1985. That a non-native speaker can produce English of such translucence and power is truly remarkable--but really, his prose is the least of the miracles here. Improbably, Jin makes an unconsummated 18-year love affair loom as urgent as political terror or war, while history-changing events gain the immediacy of a domestic dilemma. Gracefully phrased, impeccably paced, Waiting is the kind of realist novel you thought was no longer being written. --Mary Park --
Amazon.com
"Every summer Lin Kong returned to Goose Village to divorce his wife, Shuyu." Like a fairy tale, Ha Jin's masterful novel of love and politics begins with a formula--and like a fairy tale, Waiting uses its slight, deceptively simple framework to encompass a wide range of truths about the human heart. Lin Kong is a Chinese army doctor trapped in an arranged marriage that embarrasses and repels him. (Shuyu has country ways, a withered face, and most humiliating of all, bound feet.) Nevertheless, he's content with his tidy military life, at least until he falls in love with Manna, a nurse at his hospital. Regulations forbid an army officer to divorce without his wife's consent--until 18 years have passed, that is, after which he is free to marry again. So, year after year Lin asks his wife for his freedom, and year after year he returns from the provincial courthouse: still married, still unable to consummate his relationship with Manna. Nothing feeds love like obstacles placed in its way--right? But Jin's novel answers the question of what might have happened to Romeo and Juliet had their romance been stretched out for several decades. In the initial confusion of his chaste love affair, Lin longs for the peace and quiet of his "old rut." Then killing time becomes its own kind of rut, and in the end, he is forced to conclude that he "waited eighteen years just for the sake of waiting."
There's a political allegory here, of course, but it grows naturally from these characters' hearts. Neither Lin nor Manna is especially ideological, and the tumultuous events occurring around them go mostly unnoticed. They meet during a forced military march, and have their first tender moment during an opera about a naval battle. (While the audience shouts, "Down with Japanese Imperialism!" the couple holds hands and gazes dreamily into each other's eyes.) When Lin is in Goose Village one summer, a mutual acquaintance rapes Manna; years later, the rapist appears on a TV report titled "To Get Rich Is Glorious," after having made thousands in construction. Jin resists hammering ideological ironies like these home, but totalitarianism's effects on Lin are clear:
Let me tell you what really happened, the voice said. All those years you waited torpidly, like a sleepwalker, pulled and pushed about by others' opinions, by external pressure, by your illusions, by the official rules you internalized. You were misled by your own frustration and passivity, believing that what you were not allowed to have was what your heart was destined to embrace.
Ha Jin himself served in the People's Liberation Army, and in fact left his native country for the U.S. only in 1985. That a non-native speaker can produce English of such translucence and power is truly remarkable--but really, his prose is the least of the miracles here. Improbably, Jin makes an unconsummated 18-year love affair loom as urgent as political terror or war, while history-changing events gain the immediacy of a domestic dilemma. Gracefully phrased, impeccably paced, Waiting is the kind of realist novel you thought was no longer being written. --Mary Park --
Burning Bright By Tracey Chevalier
Not as good as her other books, but well worth the read.
Chevalier sets her sights on the poet, mystic, and engraver William Blake in London during the year 1792. Blake is an odd duck. The story is told from the viewpoints of some neighbors, in particular, two families, one recently moved from the country (the INNOCENT) and a streetwise and hardened family (the EXPERIENCED).
Thus we have the metaphor for Blake's great work SONGS OF INNOCENCE AND EXPERIENCE. The French Revolution was underway and King George was terrified that his subjects would rebel against him. Mobs circulated collecting signatures on loyalty oaths. This excessive and intimidating barrage of bogus patriotism is eerily reminiscent of some of the things we saw in this country after 9/11. Do you remember all the cars with flags?
It's a lovely story and she tells it well. Is it GIRL WITH A PEARL EARRING? No. Should it be? No. An author should not have to wear her most successful book like a millstone around her neck.
Enjoy it for itself.
Chevalier sets her sights on the poet, mystic, and engraver William Blake in London during the year 1792. Blake is an odd duck. The story is told from the viewpoints of some neighbors, in particular, two families, one recently moved from the country (the INNOCENT) and a streetwise and hardened family (the EXPERIENCED).
Thus we have the metaphor for Blake's great work SONGS OF INNOCENCE AND EXPERIENCE. The French Revolution was underway and King George was terrified that his subjects would rebel against him. Mobs circulated collecting signatures on loyalty oaths. This excessive and intimidating barrage of bogus patriotism is eerily reminiscent of some of the things we saw in this country after 9/11. Do you remember all the cars with flags?
It's a lovely story and she tells it well. Is it GIRL WITH A PEARL EARRING? No. Should it be? No. An author should not have to wear her most successful book like a millstone around her neck.
Enjoy it for itself.
A Thousand Splended Suns by Khaled Hosseini
What an excellent book!
From Publishers Weekly
Starred Review. Afghan-American novelist Hosseini follows up his bestselling The Kite Runner with another searing epic of Afghanistan in turmoil. The story covers three decades of anti-Soviet jihad, civil war and Taliban tyranny through the lives of two women. Mariam is the scorned illegitimate daughter of a wealthy businessman, forced at age 15 into marrying the 40-year-old Rasheed, who grows increasingly brutal as she fails to produce a child. Eighteen later, Rasheed takes another wife, 14-year-old Laila, a smart and spirited girl whose only other options, after her parents are killed by rocket fire, are prostitution or starvation. Against a backdrop of unending war, Mariam and Laila become allies in an asymmetrical battle with Rasheed, whose violent misogyny—"There was no cursing, no screaming, no pleading, no surprised yelps, only the systematic business of beating and being beaten"—is endorsed by custom and law. Hosseini gives a forceful but nuanced portrait of a patriarchal despotism where women are agonizingly dependent on fathers, husbands and especially sons, the bearing of male children being their sole path to social status. His tale is a powerful, harrowing depiction of Afghanistan, but also a lyrical evocation of the lives and enduring hopes of its resilient characters. (May)
From Publishers Weekly
Starred Review. Afghan-American novelist Hosseini follows up his bestselling The Kite Runner with another searing epic of Afghanistan in turmoil. The story covers three decades of anti-Soviet jihad, civil war and Taliban tyranny through the lives of two women. Mariam is the scorned illegitimate daughter of a wealthy businessman, forced at age 15 into marrying the 40-year-old Rasheed, who grows increasingly brutal as she fails to produce a child. Eighteen later, Rasheed takes another wife, 14-year-old Laila, a smart and spirited girl whose only other options, after her parents are killed by rocket fire, are prostitution or starvation. Against a backdrop of unending war, Mariam and Laila become allies in an asymmetrical battle with Rasheed, whose violent misogyny—"There was no cursing, no screaming, no pleading, no surprised yelps, only the systematic business of beating and being beaten"—is endorsed by custom and law. Hosseini gives a forceful but nuanced portrait of a patriarchal despotism where women are agonizingly dependent on fathers, husbands and especially sons, the bearing of male children being their sole path to social status. His tale is a powerful, harrowing depiction of Afghanistan, but also a lyrical evocation of the lives and enduring hopes of its resilient characters. (May)
Thursday, May 03, 2007
Dearly Devoted Dexter
From Publishers Weekly
Starred Review. Forensic blood-spatter analyst Dexter Morgan is a nice guy who enjoys his job, but what he'd rather be doing is killing people. In this follow-up to 2001's Darkly Dreaming Dexter, Dexter is kept from his games of "slice the slasher" (he kills only murderers and pedophiles) by a suspicious Sergeant Doakes. Luckily for listeners, Dexter still finds a way to engage in his grim specialty when a fiendish "doctor" comes to town and leaves his victims brutally butchered, yet alive and crippled. Landrum, who is also an accomplished songwriter, hits all the right notes in this superb audio production, flawlessly matching the sarcastic and sinister tones of the novel. At times lighthearted and good-natured, Landrum's first-person narration of Dexter truly makes the character come alive. His transitions between character voices are perfectly consistent—he handles cocky men, grizzled veterans, tough female cops and demure women with equal flair, including a wonderfully quirky and disturbing voice for the novel's villain. Dexter is the most darkly charming and compelling serial killer since Hannibal Lecter, and this production is a sure-fire candidate for audiobook of the year.
Starred Review. Forensic blood-spatter analyst Dexter Morgan is a nice guy who enjoys his job, but what he'd rather be doing is killing people. In this follow-up to 2001's Darkly Dreaming Dexter, Dexter is kept from his games of "slice the slasher" (he kills only murderers and pedophiles) by a suspicious Sergeant Doakes. Luckily for listeners, Dexter still finds a way to engage in his grim specialty when a fiendish "doctor" comes to town and leaves his victims brutally butchered, yet alive and crippled. Landrum, who is also an accomplished songwriter, hits all the right notes in this superb audio production, flawlessly matching the sarcastic and sinister tones of the novel. At times lighthearted and good-natured, Landrum's first-person narration of Dexter truly makes the character come alive. His transitions between character voices are perfectly consistent—he handles cocky men, grizzled veterans, tough female cops and demure women with equal flair, including a wonderfully quirky and disturbing voice for the novel's villain. Dexter is the most darkly charming and compelling serial killer since Hannibal Lecter, and this production is a sure-fire candidate for audiobook of the year.
Darkly Dreaming Dexter
Amazon.com
Meet Dexter Morgan. He's a highly respected lab technician specializing in blood spatter for the Miami Dade Police Department. He's a handsome, though reluctant, ladies' man. He's polite, says all the right things, and rarely calls attention to himself. He's also a sociopathic serial killer whose "Dark Passenger" drives him to commit the occasional dismemberment.
Mind you, Dexter's the good guy in this story.
Adopted at the age of four after an unnamed tragedy left him orphaned, Dexter's learned, with help from his pragmatic policeman father, to channel his "gift," killing only those who deal in death themselves. But when a new serial killer starts working in Miami, staging elaborately grisly scenes that are, to Dexter, an obvious attempt at communication from one monster to another, the eponymous protagonist finds himself at a loss. Should he help his policewoman sister Deborah earn a promotion to the Homicide desk by finding the fiend? Or should he locate this new killer himself, so he can express his admiration for the other's "art?" Or is it possible that psycho Dexter himself, admittedly not the most balanced of fellows, is finally going completely insane and committing these messy crimes himself?
Despite his penchant for vivisection, it's hard not to like Dexter as his coldly logical personality struggles to emulate emotions he doesn't feel and to keep up his appearance as a caring, unremarkable human being. Breakout author Jeff Lindsay's plot is tense and absorbing, but it's the voice of Dexter and his reactions to the other characters that will keep readers glued to Darkly Dreaming Dexter, as well as making it one of the most original and highly recommended serial killer stories in a long time
Meet Dexter Morgan. He's a highly respected lab technician specializing in blood spatter for the Miami Dade Police Department. He's a handsome, though reluctant, ladies' man. He's polite, says all the right things, and rarely calls attention to himself. He's also a sociopathic serial killer whose "Dark Passenger" drives him to commit the occasional dismemberment.
Mind you, Dexter's the good guy in this story.
Adopted at the age of four after an unnamed tragedy left him orphaned, Dexter's learned, with help from his pragmatic policeman father, to channel his "gift," killing only those who deal in death themselves. But when a new serial killer starts working in Miami, staging elaborately grisly scenes that are, to Dexter, an obvious attempt at communication from one monster to another, the eponymous protagonist finds himself at a loss. Should he help his policewoman sister Deborah earn a promotion to the Homicide desk by finding the fiend? Or should he locate this new killer himself, so he can express his admiration for the other's "art?" Or is it possible that psycho Dexter himself, admittedly not the most balanced of fellows, is finally going completely insane and committing these messy crimes himself?
Despite his penchant for vivisection, it's hard not to like Dexter as his coldly logical personality struggles to emulate emotions he doesn't feel and to keep up his appearance as a caring, unremarkable human being. Breakout author Jeff Lindsay's plot is tense and absorbing, but it's the voice of Dexter and his reactions to the other characters that will keep readers glued to Darkly Dreaming Dexter, as well as making it one of the most original and highly recommended serial killer stories in a long time
Sister of my Heart
From Publishers Weekly
Like the old tales of India that are filled with emotional filigree and flowery prose, Divakaruni's (The Mistress of Spices) latest work is a masterful allegory of unfulfilled desire and sacrificial love. It is also an intricate modern drama in which generations and castes struggle over old and new mores. Anju and Sudha are cousins, born in the same household in Calcutta on the same day?which is also the day on which their mothers learn that both their husbands have been killed in a reckless quest for a cave full of rubies. Sudha grows up believing her father was a no-good schemer who brought ruin on his cousin, Anju's upper-class father. As they mature, Anju dreams of college, Sudha of children, but arranged marriages divide and thwart them. Anju adjusts to life in California with a man who lusts after Sudha; Sudha grapples with a mother-in-law who turns to the goddess Shasti to fill Sudha's barren womb rather than to a doctor for her sterile son. Ultimately, the tie between Anju and Sudha supersedes all other love, as each sustains painful loss to save the other. When Sudha learns the truth about her father and no longer needs to right his wrongs, she sees that all along her affection for Anju has not been dictated by necessity. An inspired and imaginative raconteur, Divakaruni is sure to engender comparisons with Arundhati Roy (The God of Small Things), but Divakaruni's novel stands in its own right as a compelling read. If her prose sometimes veers toward the purple, her mesmerizing narrative sustains it well. Agent, Sandra Dijkstra; author tour.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Like the old tales of India that are filled with emotional filigree and flowery prose, Divakaruni's (The Mistress of Spices) latest work is a masterful allegory of unfulfilled desire and sacrificial love. It is also an intricate modern drama in which generations and castes struggle over old and new mores. Anju and Sudha are cousins, born in the same household in Calcutta on the same day?which is also the day on which their mothers learn that both their husbands have been killed in a reckless quest for a cave full of rubies. Sudha grows up believing her father was a no-good schemer who brought ruin on his cousin, Anju's upper-class father. As they mature, Anju dreams of college, Sudha of children, but arranged marriages divide and thwart them. Anju adjusts to life in California with a man who lusts after Sudha; Sudha grapples with a mother-in-law who turns to the goddess Shasti to fill Sudha's barren womb rather than to a doctor for her sterile son. Ultimately, the tie between Anju and Sudha supersedes all other love, as each sustains painful loss to save the other. When Sudha learns the truth about her father and no longer needs to right his wrongs, she sees that all along her affection for Anju has not been dictated by necessity. An inspired and imaginative raconteur, Divakaruni is sure to engender comparisons with Arundhati Roy (The God of Small Things), but Divakaruni's novel stands in its own right as a compelling read. If her prose sometimes veers toward the purple, her mesmerizing narrative sustains it well. Agent, Sandra Dijkstra; author tour.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
For One More Day
Mitch Albom pays homage to all mothers with this novel that beautifully shows the enduring power of a mother's love, a love so strong it can transcend even death. The moral of the story is not particularly original and not even handled in a unique way. But, grab the hankies and prepare to spend several hours reminiscing along with Chick Benetto about the things you wish you had done better with your own mother. Chick Benetto has hit rock bottom---divorced, alcoholic, has-been baseball player, and now comes the ultimate slap-in-the-face---his beloved daughter does not invite him to her wedding. After being shut out of the biggest day in his only child's life, Chick sees no point in continuing his miserable life and attempts suicide. But for his suicide he is drawn once again to Pepperville Beach, to the modest home where he grew up with his mom, dad, and sister. That is, until his dad deserted the family and life changed dramatically. The surprise for Chick is that his mom is still in the house. Intellectually, he knows she died ten years ago but here she is---cooking his food, sharing stories, giving advice.
The reader learns about all the times Chick's mom stood up for him and all the times he let her down. The writing is smooth and poignant, the memories both joyful and sad. If you have lost your own parents, the words will be doubly sad. But Chick has been given a very special gift: he learns that when someone is in your heart, they're never truly gone and they can come back to you, even at unlikely times. Chick has the unheard of luxury of being able to spend just one more day with his mother, having the chance to ask questions about things that have bothered him, finding out at last why his father left, and much more. How does it happen? Is this just another ghost story or a religious experience for non-believers? I think I shed the most tears when I realized at novel's end who was telling the story.
I think sentimental readers will find this one enjoyable and uplifting. So take it for what it is, a nostalgic trip back to childhood, that period of time that never lets you go, even when you're so wrecked it's hard to believe you ever were a child.
The reader learns about all the times Chick's mom stood up for him and all the times he let her down. The writing is smooth and poignant, the memories both joyful and sad. If you have lost your own parents, the words will be doubly sad. But Chick has been given a very special gift: he learns that when someone is in your heart, they're never truly gone and they can come back to you, even at unlikely times. Chick has the unheard of luxury of being able to spend just one more day with his mother, having the chance to ask questions about things that have bothered him, finding out at last why his father left, and much more. How does it happen? Is this just another ghost story or a religious experience for non-believers? I think I shed the most tears when I realized at novel's end who was telling the story.
I think sentimental readers will find this one enjoyable and uplifting. So take it for what it is, a nostalgic trip back to childhood, that period of time that never lets you go, even when you're so wrecked it's hard to believe you ever were a child.
The 13th Tale
There are two heroines here: Vida Winter, a famous author, whose life story is coming to an end, and Margaret Lea, a young, unworldly, bookish girl who is a bookseller in her father's shop. Vida has been confounding her biographers and fans for years by giving everybody a different version of her life, each time swearing it's the truth. Because of a biography that Margaret has written about brothers, Vida chooses Margaret to tell her story, all of it, for the first time. At their initial meeting, the conversation begins:
"You have given nineteen different versions of your life story to journalists in the last two years alone."
She [Vida] shrugged. "It's my profession. I'm a storyteller."
"I am a biographer, I work with facts."
The game is afoot and Margaret must spend some time sorting out whether or not Vida is actually ready to tell the whole truth. There is more here of Margaret discovering than of Vida cooperating wholeheartedly, but that is part of Vida's plan.
Margaret has a story of her own: she was one of conjoined twins and her sister died so that Margaret could live. She feels an otherworldly aura sometimes or a yearning for a part of her that is forever missing. Vida's story involves two wild girls--feral twins (is she one of them?)--who would have been better off being suckled by wolves. Instead, their mother and uncle, involved in things too unsavory to contemplate, combine to neglect them woefully. There's also a governess, a Doctor, a kindly housekeeper, a gardener, and another presence--a very strange presence--which Margaret perceives as a ghost at first. Making obeisance to other great ghost stories, there is a deadly fire, a beautiful old house gone to ruin, and always that presence....
The transformative power of truth informs the lives of both women by story's end, and The Thirteenth Tale is finally and convincingly told. --Valerie Ryan
"You have given nineteen different versions of your life story to journalists in the last two years alone."
She [Vida] shrugged. "It's my profession. I'm a storyteller."
"I am a biographer, I work with facts."
The game is afoot and Margaret must spend some time sorting out whether or not Vida is actually ready to tell the whole truth. There is more here of Margaret discovering than of Vida cooperating wholeheartedly, but that is part of Vida's plan.
Margaret has a story of her own: she was one of conjoined twins and her sister died so that Margaret could live. She feels an otherworldly aura sometimes or a yearning for a part of her that is forever missing. Vida's story involves two wild girls--feral twins (is she one of them?)--who would have been better off being suckled by wolves. Instead, their mother and uncle, involved in things too unsavory to contemplate, combine to neglect them woefully. There's also a governess, a Doctor, a kindly housekeeper, a gardener, and another presence--a very strange presence--which Margaret perceives as a ghost at first. Making obeisance to other great ghost stories, there is a deadly fire, a beautiful old house gone to ruin, and always that presence....
The transformative power of truth informs the lives of both women by story's end, and The Thirteenth Tale is finally and convincingly told. --Valerie Ryan
The Alchemist's Daughter by Katharine McMahon
There are long-held secrets at the manor house in Buckinghamshire, England, where Emilie Selden has been raised in near isolation by her father. A student of Isaac Newton, John Selden believes he can turn his daughter into a brilliant natural philosopher and alchemist. Secluded in their ancient house, with only two servants for company, he fills Emilie with knowledge and records her progress obsessively.
In the spring of 1725, father and daughter begin their most daring alchemical experiment to date --- they will attempt to breathe life into dead matter. But their work is interrupted by the arrival of two strangers: one a researcher, the other a dazzling young merchant. During the course of a sultry August, while her father is away, Emilie experiences the passion of first love. Listening to her heart rather than her head, she makes a choice.
Banished to London and plunged headlong into a society that is both glamorous and ruthless, Emilie discovers that for all her extraordinary education she has no insight into the workings of the human heart. When she tries to return to the world of books and study, she instead unravels a shocking secret that sets her on her true journey to enlightenment.
In the spring of 1725, father and daughter begin their most daring alchemical experiment to date --- they will attempt to breathe life into dead matter. But their work is interrupted by the arrival of two strangers: one a researcher, the other a dazzling young merchant. During the course of a sultry August, while her father is away, Emilie experiences the passion of first love. Listening to her heart rather than her head, she makes a choice.
Banished to London and plunged headlong into a society that is both glamorous and ruthless, Emilie discovers that for all her extraordinary education she has no insight into the workings of the human heart. When she tries to return to the world of books and study, she instead unravels a shocking secret that sets her on her true journey to enlightenment.
Wednesday, January 03, 2007
DRY
This is the sequel to Running with Scissors. I was spellbound. Similar to A Million Little Pieces.
Amazon.com
Fans of Augusten Burroughs's darkly funny memoir Running with Scissors were left wondering at the end of that book what would become of young Augusten after his squalid and fascinating childhood ended. In Dry, we find that although adult Augusten is doing well professionally, earning a handsome living as an ad writer for a top New York agency, Burroughs's personal life is a disaster. His apartment is a sea of empty Dewar's bottles, he stays out all night boozing, and he dabs cologne on his tongue in an unsuccessful attempt to mask the stench of alcohol on his breath at work. When his employer insists he seek help, Burroughs ships out to Minnesota for detoxification, counseling, and amusingly told anecdotes about the use of stuffed animals in group therapy. But after a month of such treatment, he's back in Manhattan and tenuously sober. And while its one thing to lay off the sauce in rehab, Burroughs learns that it's quite another to resume your former life while avoiding the alcohol that your former life was based around. This quest to remain sober is made dramatically more difficult, and the tale more harrowing, when Burroughs begins an ill-advised romance with a crack addict. Certainly the "recovered alcoholic fighting to stay sober" tale is not new territory for a memoirist. But Burroughs's account transcends clichés: it doesn't adhere to the traditional "temptation narrowly resisted" storyline and it features, in Burroughs himself, a central character that is sympathetic even when he's neither likable nor admirable. But what ultimately makes this memoir such a terrific read is a brilliant and candid sense of humor that manages to stay dry even when recalling events where the author was anything but. --John Moe --This text refers to the Hardcover edition.
Amazon.com
Fans of Augusten Burroughs's darkly funny memoir Running with Scissors were left wondering at the end of that book what would become of young Augusten after his squalid and fascinating childhood ended. In Dry, we find that although adult Augusten is doing well professionally, earning a handsome living as an ad writer for a top New York agency, Burroughs's personal life is a disaster. His apartment is a sea of empty Dewar's bottles, he stays out all night boozing, and he dabs cologne on his tongue in an unsuccessful attempt to mask the stench of alcohol on his breath at work. When his employer insists he seek help, Burroughs ships out to Minnesota for detoxification, counseling, and amusingly told anecdotes about the use of stuffed animals in group therapy. But after a month of such treatment, he's back in Manhattan and tenuously sober. And while its one thing to lay off the sauce in rehab, Burroughs learns that it's quite another to resume your former life while avoiding the alcohol that your former life was based around. This quest to remain sober is made dramatically more difficult, and the tale more harrowing, when Burroughs begins an ill-advised romance with a crack addict. Certainly the "recovered alcoholic fighting to stay sober" tale is not new territory for a memoirist. But Burroughs's account transcends clichés: it doesn't adhere to the traditional "temptation narrowly resisted" storyline and it features, in Burroughs himself, a central character that is sympathetic even when he's neither likable nor admirable. But what ultimately makes this memoir such a terrific read is a brilliant and candid sense of humor that manages to stay dry even when recalling events where the author was anything but. --John Moe --This text refers to the Hardcover edition.
Water for Elephants
This is a great book!!!!!
Amazon.com
Jacob Jankowski says: "I am ninety. Or ninety-three. One or the other." At the beginning of Water for Elephants, he is living out his days in a nursing home, hating every second of it. His life wasn't always like this, however, because Jacob ran away and joined the circus when he was twenty-one. It wasn't a romantic, carefree decision, to be sure. His parents were killed in an auto accident one week before he was to sit for his veterinary medicine exams at Cornell. He buried his parents, learned that they left him nothing because they had mortgaged everything to pay his tuition, returned to school, went to the exams, and didn't write a single word. He walked out without completing the test and wound up on a circus train. The circus he joins, in Depression-era America, is second-rate at best. With Ringling Brothers as the standard, Benzini Brothers is far down the scale and pale by comparison.
Water for Elephants is the story of Jacob's life with this circus. Sara Gruen spares no detail in chronicling the squalid, filthy, brutish circumstances in which he finds himself. The animals are mangy, underfed or fed rotten food, and abused. Jacob, once it becomes known that he has veterinary skills, is put in charge of the "menagerie" and all its ills. Uncle Al, the circus impresario, is a self-serving, venal creep who slaps people around because he can. August, the animal trainer, is a certified paranoid schizophrenic whose occasional flights into madness and brutality often have Jacob as their object. Jacob is the only person in the book who has a handle on a moral compass and as his reward he spends most of the novel beaten, broken, concussed, bleeding, swollen and hungover. He is the self-appointed Protector of the Downtrodden, and... he falls in love with Marlena, crazy August's wife. Not his best idea.
The most interesting aspect of the book is all the circus lore that Gruen has so carefully researched. She has all the right vocabulary: grifters, roustabouts, workers, cooch tent, rubes, First of May, what the band plays when there's trouble, Jamaican ginger paralysis, life on a circus train, set-up and take-down, being run out of town by the "revenooers" or the cops, and losing all your hooch. There is one glorious passage about Marlena and Rosie, the bull elephant, that truly evokes the magic a circus can create. It is easy to see Marlena's and Rosie's pink sequins under the Big Top and to imagine their perfect choreography as they perform unbelievable stunts. The crowd loves it--and so will the reader. The ending is absolutely ludicrous and really quite lovely. --Valerie Ryan
Amazon.com
Jacob Jankowski says: "I am ninety. Or ninety-three. One or the other." At the beginning of Water for Elephants, he is living out his days in a nursing home, hating every second of it. His life wasn't always like this, however, because Jacob ran away and joined the circus when he was twenty-one. It wasn't a romantic, carefree decision, to be sure. His parents were killed in an auto accident one week before he was to sit for his veterinary medicine exams at Cornell. He buried his parents, learned that they left him nothing because they had mortgaged everything to pay his tuition, returned to school, went to the exams, and didn't write a single word. He walked out without completing the test and wound up on a circus train. The circus he joins, in Depression-era America, is second-rate at best. With Ringling Brothers as the standard, Benzini Brothers is far down the scale and pale by comparison.
Water for Elephants is the story of Jacob's life with this circus. Sara Gruen spares no detail in chronicling the squalid, filthy, brutish circumstances in which he finds himself. The animals are mangy, underfed or fed rotten food, and abused. Jacob, once it becomes known that he has veterinary skills, is put in charge of the "menagerie" and all its ills. Uncle Al, the circus impresario, is a self-serving, venal creep who slaps people around because he can. August, the animal trainer, is a certified paranoid schizophrenic whose occasional flights into madness and brutality often have Jacob as their object. Jacob is the only person in the book who has a handle on a moral compass and as his reward he spends most of the novel beaten, broken, concussed, bleeding, swollen and hungover. He is the self-appointed Protector of the Downtrodden, and... he falls in love with Marlena, crazy August's wife. Not his best idea.
The most interesting aspect of the book is all the circus lore that Gruen has so carefully researched. She has all the right vocabulary: grifters, roustabouts, workers, cooch tent, rubes, First of May, what the band plays when there's trouble, Jamaican ginger paralysis, life on a circus train, set-up and take-down, being run out of town by the "revenooers" or the cops, and losing all your hooch. There is one glorious passage about Marlena and Rosie, the bull elephant, that truly evokes the magic a circus can create. It is easy to see Marlena's and Rosie's pink sequins under the Big Top and to imagine their perfect choreography as they perform unbelievable stunts. The crowd loves it--and so will the reader. The ending is absolutely ludicrous and really quite lovely. --Valerie Ryan
The Gilded Chamber
This book is EXCELLENT
Amazon.com
What The Red Tent did for Dinah, The Gilded Chamber, a first novel by Rebecca Kohn, might do for Esther, the woman who wielded power over a King. The story follows the Book of Esther very closely: Xerxes banishes his wife Vashti and sets about finding a new wife by claiming all the young virgins in the kingdom of Persia for his perusal and delectation. Esther, born Hadassah, is a young Jewish orphan, remanded to the custody of her cousin Mordechai, to whom she is betrothed. Mordechai attends to the King at the Palace, but no one knows that he is a Jew. He warns Hadassah to take the name Esther when she is swept up by the King's edict, and not to reveal her heritage.
After a year of being pampered by court slaves, Esther is presented to the King. He is instantly smitten and makes her his Queen. sther longs for Mordechai but succumbs to the blandishments of the King to save herself from being sent to the soldiers--a horrible fate. In the course of Palace intrigue, Haman, a truly evil man who is viewed as a trusted servant of the King, plots to kill Mordechai, who will not bow to him, and ultimately to kill all the Jews in the Kingdom. King Xerxes, a bit of a buffoon both in the Bible and in Kohn's book, is languishing under the effects of idleness and too much wine. He gives Haman his signet ring; Haman drafts the edict which will result in the death of the Jews and seals it with the King's ring. Now, Esther must save her people.
The portent of this book is found not in the story alone, but in the meticulous research that Kohn has done into the time: Palace life, social customs, history, sexual practices, the place of women, war and politics. Descriptions of the care given to Esther before she meets the King are detailed: her trips to the hairdressers, her hennaed hands, the pungent oils rubbed all over her body, the gold-trimmed clothing she wears. She describes her dinner with a eunuch: "Golden cups in the shape of tulip blossoms were filled with sweet spiced wine from Hodu, and shining silver platters were piled high with meat stews and succulent birds I could not identify. A plate of sugared almonds and pistachios ... and a sweet of sesame, dates and honey..." She is willing to sacrifice all creature comforts to save her people; her success is celebrated to this day in the Jewish feast of Purim. --Valerie Ryan
Amazon.com
What The Red Tent did for Dinah, The Gilded Chamber, a first novel by Rebecca Kohn, might do for Esther, the woman who wielded power over a King. The story follows the Book of Esther very closely: Xerxes banishes his wife Vashti and sets about finding a new wife by claiming all the young virgins in the kingdom of Persia for his perusal and delectation. Esther, born Hadassah, is a young Jewish orphan, remanded to the custody of her cousin Mordechai, to whom she is betrothed. Mordechai attends to the King at the Palace, but no one knows that he is a Jew. He warns Hadassah to take the name Esther when she is swept up by the King's edict, and not to reveal her heritage.
After a year of being pampered by court slaves, Esther is presented to the King. He is instantly smitten and makes her his Queen. sther longs for Mordechai but succumbs to the blandishments of the King to save herself from being sent to the soldiers--a horrible fate. In the course of Palace intrigue, Haman, a truly evil man who is viewed as a trusted servant of the King, plots to kill Mordechai, who will not bow to him, and ultimately to kill all the Jews in the Kingdom. King Xerxes, a bit of a buffoon both in the Bible and in Kohn's book, is languishing under the effects of idleness and too much wine. He gives Haman his signet ring; Haman drafts the edict which will result in the death of the Jews and seals it with the King's ring. Now, Esther must save her people.
The portent of this book is found not in the story alone, but in the meticulous research that Kohn has done into the time: Palace life, social customs, history, sexual practices, the place of women, war and politics. Descriptions of the care given to Esther before she meets the King are detailed: her trips to the hairdressers, her hennaed hands, the pungent oils rubbed all over her body, the gold-trimmed clothing she wears. She describes her dinner with a eunuch: "Golden cups in the shape of tulip blossoms were filled with sweet spiced wine from Hodu, and shining silver platters were piled high with meat stews and succulent birds I could not identify. A plate of sugared almonds and pistachios ... and a sweet of sesame, dates and honey..." She is willing to sacrifice all creature comforts to save her people; her success is celebrated to this day in the Jewish feast of Purim. --Valerie Ryan
The Alchemist
I loved this spiritual book.
From Amazon: The Alchemist presents a simple fable, based on simple truths and places it in a highly unique situation. And though we may sniff a bestselling formula, it is certainly not a new one: even the ancient tribal storytellers knew that this is the most successful method of entertaining an audience while slipping in a lesson or two. Brazilian storyteller Paulo Coehlo introduces Santiago, an Andalusian shepherd boy who one night dreams of a distant treasure in the Egyptian pyramids. And so he's off: leaving Spain to literally follow his dream.
Along the way he meets many spiritual messengers, who come in unassuming forms such as a camel driver and a well-read Englishman. In one of the Englishman's books, Santiago first learns about the alchemists--men who believed that if a metal were heated for many years, it would free itself of all its individual properties, and what was left would be the "Soul of the World." Of course he does eventually meet an alchemist, and the ensuing student-teacher relationship clarifies much of the boy's misguided agenda, while also emboldening him to stay true to his dreams. "My heart is afraid that it will have to suffer," the boy confides to the alchemist one night as they look up at a moonless night.
"Tell your heart that the fear of suffering is worse than the suffering itself," the alchemist replies. "And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second's encounter with God and with eternity." -
From Amazon: The Alchemist presents a simple fable, based on simple truths and places it in a highly unique situation. And though we may sniff a bestselling formula, it is certainly not a new one: even the ancient tribal storytellers knew that this is the most successful method of entertaining an audience while slipping in a lesson or two. Brazilian storyteller Paulo Coehlo introduces Santiago, an Andalusian shepherd boy who one night dreams of a distant treasure in the Egyptian pyramids. And so he's off: leaving Spain to literally follow his dream.
Along the way he meets many spiritual messengers, who come in unassuming forms such as a camel driver and a well-read Englishman. In one of the Englishman's books, Santiago first learns about the alchemists--men who believed that if a metal were heated for many years, it would free itself of all its individual properties, and what was left would be the "Soul of the World." Of course he does eventually meet an alchemist, and the ensuing student-teacher relationship clarifies much of the boy's misguided agenda, while also emboldening him to stay true to his dreams. "My heart is afraid that it will have to suffer," the boy confides to the alchemist one night as they look up at a moonless night.
"Tell your heart that the fear of suffering is worse than the suffering itself," the alchemist replies. "And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second's encounter with God and with eternity." -
Monday, December 04, 2006
Shadow of the Wind by Carols Zafon
This book was so-so. It reminded me a bit of any book Anne Rice would write. I think I liked it best of all the people in my book club. Most everyone hated it and didn't finish it.
The time is the 1950s; the place, Barcelona. Daniel Sempere, the son of a widowed bookstore owner, is 10 when he discovers a novel, The Shadow of the Wind, by Julián Carax. The novel is rare, the author obscure, and rumors tell of a horribly disfigured man who has been burning every copy he can find of Carax's novels. The man calls himself Laín Coubert-the name of the devil in one of Carax's novels. As he grows up, Daniel's fascination with the mysterious Carax links him to a blind femme fatale with a "porcelain gaze," Clara Barceló; another fan, a leftist jack-of-all-trades, Fermín Romero de Torres; his best friend's sister, the delectable Beatriz Aguilar; and, as he begins investigating the life and death of Carax, a cast of characters with secrets to hide. Officially, Carax's dead body was dumped in an alley in 1936. But discrepancies in this story surface. Meanwhile, Daniel and Fermín are being harried by a sadistic policeman, Carax's childhood friend. As Daniel's quest continues, frightening parallels between his own life and Carax's begin to emerge. Ruiz Zafón strives for a literary tone, and no scene goes by without its complement of florid, cute and inexact similes and metaphors (snow is "God's dandruff"; servants obey orders with "the efficiency and submissiveness of a body of well-trained insects"). Yet the colorful cast of characters, the gothic turns and the straining for effect only give the book the feel of para-literature or the Hollywood version of a great 19th-century novel.
The time is the 1950s; the place, Barcelona. Daniel Sempere, the son of a widowed bookstore owner, is 10 when he discovers a novel, The Shadow of the Wind, by Julián Carax. The novel is rare, the author obscure, and rumors tell of a horribly disfigured man who has been burning every copy he can find of Carax's novels. The man calls himself Laín Coubert-the name of the devil in one of Carax's novels. As he grows up, Daniel's fascination with the mysterious Carax links him to a blind femme fatale with a "porcelain gaze," Clara Barceló; another fan, a leftist jack-of-all-trades, Fermín Romero de Torres; his best friend's sister, the delectable Beatriz Aguilar; and, as he begins investigating the life and death of Carax, a cast of characters with secrets to hide. Officially, Carax's dead body was dumped in an alley in 1936. But discrepancies in this story surface. Meanwhile, Daniel and Fermín are being harried by a sadistic policeman, Carax's childhood friend. As Daniel's quest continues, frightening parallels between his own life and Carax's begin to emerge. Ruiz Zafón strives for a literary tone, and no scene goes by without its complement of florid, cute and inexact similes and metaphors (snow is "God's dandruff"; servants obey orders with "the efficiency and submissiveness of a body of well-trained insects"). Yet the colorful cast of characters, the gothic turns and the straining for effect only give the book the feel of para-literature or the Hollywood version of a great 19th-century novel.
A Thread of Grace by Doria Russell
It opens with a group of Jewish refugees being escorted to safe-keeping by Italian soldiers. After making the arduous journey over a steep mountain pass, they are welcomed into a small village with warm food and clean beds. They have barely laid their heads to rest when news is received that Mussolini has just surrendered Italy to Hitler, putting them in danger yet again. This opening sequence is a grim foreshadowing of the heart-breaking journey these characters will experience in their struggle for survival.
The rich fictional narrative is woven through the factual military maneuvers and political games at the end of WW II, sharing a little-known story of a group of Italian citizens that sheltered more than 40,000 Jews from grueling work camp executions. Rather than the bleak and hopeless feeling that might be expected, the novel has the opposite effect; it reminds us that just as there will always be war, crime, and death, so too will there be good people who selflessly sacrifice themselves to ease the suffering of others. Perhaps best of all, Russell succinctly opens and closes her writing with short pieces that bookend the story with the force of a freight train. Her moving finale wraps up her narrative in the present day, with a death bed scene that's sure to rip the heart out of readers of every faith and ancestry.
The rich fictional narrative is woven through the factual military maneuvers and political games at the end of WW II, sharing a little-known story of a group of Italian citizens that sheltered more than 40,000 Jews from grueling work camp executions. Rather than the bleak and hopeless feeling that might be expected, the novel has the opposite effect; it reminds us that just as there will always be war, crime, and death, so too will there be good people who selflessly sacrifice themselves to ease the suffering of others. Perhaps best of all, Russell succinctly opens and closes her writing with short pieces that bookend the story with the force of a freight train. Her moving finale wraps up her narrative in the present day, with a death bed scene that's sure to rip the heart out of readers of every faith and ancestry.
Tortilla Curtain by T.C. Boyle
I loved this book!
Boyle's The Tortillia Curtain differs from other books of his that I have read in that it tackles a serious set of social issues head on. It is important to make the point that he doesn't present either the Yuppie Californian family or the Mexican immagrant family as a symbol. They are real people. They don't stand for anything else. And while the extreme dichotomy posed between the wealth and well being of the one and the poverty and marginal health of the other do serve the purpose of highlighting the issue of the extreme inequities in the distribution of goods and services in this country, Boyle does not suggest a solution. Rather, he is interested in showing us what happens when these extremes come into contact in unexpected circumstances. What he has given us is a story of people in different circumstances responding as they likely would - as their training and experience have prepared them to. If we want to make an allegory of it, I don't think that is what he intended. I think that all he is saying is that extremes of expectation, in conflict, will generate extremes of behavior.
Boyle's The Tortillia Curtain differs from other books of his that I have read in that it tackles a serious set of social issues head on. It is important to make the point that he doesn't present either the Yuppie Californian family or the Mexican immagrant family as a symbol. They are real people. They don't stand for anything else. And while the extreme dichotomy posed between the wealth and well being of the one and the poverty and marginal health of the other do serve the purpose of highlighting the issue of the extreme inequities in the distribution of goods and services in this country, Boyle does not suggest a solution. Rather, he is interested in showing us what happens when these extremes come into contact in unexpected circumstances. What he has given us is a story of people in different circumstances responding as they likely would - as their training and experience have prepared them to. If we want to make an allegory of it, I don't think that is what he intended. I think that all he is saying is that extremes of expectation, in conflict, will generate extremes of behavior.
Parchment of Leaves by Silas House
I very much liked this book.
In 1917 rural Kentucky, a young Cherokee woman named Vine, rumored to cast spells on unsuspecting men, falls in love with local Irishman Saul Sullivan, whom she eventually marries. This second novel by Appalachian writer House (Clay's Quilt) tells the story of Vine and Saul's tender relationship and the prejudice they face and eventually overcome. While Vine was not raised according to Cherokee customs, she is still aware of being seen as an outsider when she leaves her Cherokee community to be with her husband. People are drawn to her gentle and generous personality, however, and soon she forms enduring friendships with her hard-working mother-in-law, Esme, and feisty and independent midwife Serena. When World War I erupts and Saul temporarily takes a better-paying job far from home, Vine finds herself trying to ward off the unwanted advances of Saul's restless younger brother, Aaron, who declares his own love for Vine. A deep respect for the natural world and the enduring spirit of the human heart are what make this book worth reading and remembering.
In 1917 rural Kentucky, a young Cherokee woman named Vine, rumored to cast spells on unsuspecting men, falls in love with local Irishman Saul Sullivan, whom she eventually marries. This second novel by Appalachian writer House (Clay's Quilt) tells the story of Vine and Saul's tender relationship and the prejudice they face and eventually overcome. While Vine was not raised according to Cherokee customs, she is still aware of being seen as an outsider when she leaves her Cherokee community to be with her husband. People are drawn to her gentle and generous personality, however, and soon she forms enduring friendships with her hard-working mother-in-law, Esme, and feisty and independent midwife Serena. When World War I erupts and Saul temporarily takes a better-paying job far from home, Vine finds herself trying to ward off the unwanted advances of Saul's restless younger brother, Aaron, who declares his own love for Vine. A deep respect for the natural world and the enduring spirit of the human heart are what make this book worth reading and remembering.
Falling Anges by Tracey Chevalier
Everything starts with two families from different walks of life who visit their family's graves, which happen to be next to each other. The Coleman's grave is decorated with an urn, which becomes a symbol of their beliefs and modern social views, while the Waterhouses's grave is ornate with an angel representing their traditional beliefs. Their daughters of similar age, the quiet Maude Coleman and the spoiled Lavinia Waterhouse start playing together around the graveyard and meet one of the digger's son, Simon Field. Their lives are linked closer even more when the Waterhouses move next door to the Colemans.
The story revolves around the graveyard and its diggers and director, John Jackson, between the Coleman and Waterhouse families, and between traditional and modern views applied to their lives.
The girls become good friends and grow up together, but their lives revolve around the graveyard and their friendship with Simon. Society also changes little by little, with suffragetes's movement pushing for more liberties for women. Kitty Comeman, Maude's mother, after an abortion about which her family knows nothing, decides to be part of the movement and throws herself completely into it neglecting her duties to he family. Her decisions and those of Gertrude, Lavinia's mother, who wants to be different front Kitty, although she secretly admires, envies and despises her at the same time, change their family's lives irremediably during the first suffragettes public meeting.
The narrative is told from the point of view of different characters, even from that of the Colemans's maid and cook. Thus, the multiple perspectives endevour to add to the story, bring details about the characters telling the story and about how they view what is happening around them and to the others.
The story revolves around the graveyard and its diggers and director, John Jackson, between the Coleman and Waterhouse families, and between traditional and modern views applied to their lives.
The girls become good friends and grow up together, but their lives revolve around the graveyard and their friendship with Simon. Society also changes little by little, with suffragetes's movement pushing for more liberties for women. Kitty Comeman, Maude's mother, after an abortion about which her family knows nothing, decides to be part of the movement and throws herself completely into it neglecting her duties to he family. Her decisions and those of Gertrude, Lavinia's mother, who wants to be different front Kitty, although she secretly admires, envies and despises her at the same time, change their family's lives irremediably during the first suffragettes public meeting.
The narrative is told from the point of view of different characters, even from that of the Colemans's maid and cook. Thus, the multiple perspectives endevour to add to the story, bring details about the characters telling the story and about how they view what is happening around them and to the others.
Lipstick Jihad by Azadeh Moaveni
Parts of this book were really good, and parts of it dragged on. It was an ok all around book.
Time reporter Moaveni, the American-born child of Iranian exiles, spent two years (2000–2001) working in Tehran. Although she reports on the overall tumult and repression felt by Iranians between the 1999 pro-democracy student demonstrations and the 2002 "Axis of Evil" declaration, the book's dominant story is more intimate. Moaveni was on a personal search "to figure out my relationship" to Iran. Neither her adolescent ethnic identity conundrums nor her idyllic memories of a childhood visit prepared her for the realities she confronted as she navigated Iran, learning its rules, restrictions and taboos—and how to evade and even exploit them like a local. Because she was a journalist, the shadowy, unnerving presence of an Iranian intelligence agent/interrogator hovered continually ("it would be useful if we saw your work before publication," he told her). Readers also get intimate glimpses of domestic life: Moaveni lived among family and depicts clandestine partying, women's gyms and the popularity of cosmetic surgery. Eventually, Moaveni became "more at home than [her mother] was" in Iran, and a visit to the U.S. showed how Moaveni, who now lives in Beirut, had grown unaccustomed to American life, "where my Iranian instincts served no purpose."
Time reporter Moaveni, the American-born child of Iranian exiles, spent two years (2000–2001) working in Tehran. Although she reports on the overall tumult and repression felt by Iranians between the 1999 pro-democracy student demonstrations and the 2002 "Axis of Evil" declaration, the book's dominant story is more intimate. Moaveni was on a personal search "to figure out my relationship" to Iran. Neither her adolescent ethnic identity conundrums nor her idyllic memories of a childhood visit prepared her for the realities she confronted as she navigated Iran, learning its rules, restrictions and taboos—and how to evade and even exploit them like a local. Because she was a journalist, the shadowy, unnerving presence of an Iranian intelligence agent/interrogator hovered continually ("it would be useful if we saw your work before publication," he told her). Readers also get intimate glimpses of domestic life: Moaveni lived among family and depicts clandestine partying, women's gyms and the popularity of cosmetic surgery. Eventually, Moaveni became "more at home than [her mother] was" in Iran, and a visit to the U.S. showed how Moaveni, who now lives in Beirut, had grown unaccustomed to American life, "where my Iranian instincts served no purpose."
Eye Contact by Cammie McGovern
I really liked this book. It's a murder mystery that involves an autistic boy as a witness. It especially hit home since Lisa worked with autistic twins over the summer. It really makes you see the struggles of being a parent of an austic child.....
A child has been murdered, and the only witness won't talk. This is fairly common stuff in murder mysteries, but this witness is a boy locked up by autism. Adam's view of the world around him is interesting, and the plot itself is thought provoking since the reader hears about an assortment of people with communication challenges as the mystery untangles. Julia Fletcher offers a flawless reading that steps back to allow the listener to become absorbed in the story. Unobtrusive and clear, Adam's voice calmly sheds light on the difficulty of moving through a complicated world searching for one's strengths.
A child has been murdered, and the only witness won't talk. This is fairly common stuff in murder mysteries, but this witness is a boy locked up by autism. Adam's view of the world around him is interesting, and the plot itself is thought provoking since the reader hears about an assortment of people with communication challenges as the mystery untangles. Julia Fletcher offers a flawless reading that steps back to allow the listener to become absorbed in the story. Unobtrusive and clear, Adam's voice calmly sheds light on the difficulty of moving through a complicated world searching for one's strengths.
Sunday, August 13, 2006
The Lady and the Unicorn
by Tracey Chevalier
The Lady in the Unicorn" is Tracy Chevalier's fourth novel. She is the author of the best selling (and recently a major motion picture) "Girl with a Pearl Earring". Tracy Chevalier seems to write the same sort of novel each time, but because the subjects are different, the ways the novels play out are different. The technique that Chevalier uses is that she takes a painting that I presume she likes (or is just interested in). She learns as much of the backstory of the painting as possible and then writes a fictional novel about how this painting came about and who the artist and subjects are. In the two Chevalier novels I have read now, this has turned out to be much more interesting than it may at first sound.
The story in "The Lady and the Unicorn" is set in 15th Century Paris and Brussels. Nicolas des Innocents has been commissioned to create a set of tapestries for a minor member of the French nobility Jean Le Viste. This seems simple enough: Commission, Paint, Weave, Complete. What sets this novel apart is in the telling. Nicolas is a talented artist, but rather arrogant about his art. He mainly paints miniatures in great detail and has never had to design a tapestry (it takes a different sort of skill to design a tapestry). But Nicolas is also a lusty man. Months prior he had impregnated a maid at Le Viste's estate and this time he has his eye on a young woman named Claude. It also seems that Claude has her eye on Nicolas. There wouldn't be any trouble (or much) if it didn't turn out that Claude is Jean Le Viste's eldest daughter and heir to the estate. Now any tryst must be secret, but Claude's mother knows something is afoot so she works to keep them apart so Claude may keep her virginity and be an eligible bride with the estate as a dowry.
The scene later shifts to the weavers who will actually make the tapestries. Nicolas defies all custom and is personally involved in nearly all aspects of the making of the tapestries. He is no less lusty now that he is away from Claude, but we get to see more of his character as this section of the novel progresses. Throughout the novel we see how Nicolas's inspiration for the tapestry evolves and why he is creating the tapestries quite the way that he is. We get glimpses into the lives of the weavers, Nicolas, as well as Claude. This novel is told with multiple narrators in such a way that the shift in narration feels appropriate and smooth and these shifts serve to better advance the story and keep it moving along.
The opening of "The Lady and the Unicorn" felt a little crude with Nicolas's crass sexual interest in Claude, but as the novel wore on there became fewer crass lines and everything felt natural. For a novel about tapestries (but really about relationships), this one was fairly fast paced.
The Lady in the Unicorn" is Tracy Chevalier's fourth novel. She is the author of the best selling (and recently a major motion picture) "Girl with a Pearl Earring". Tracy Chevalier seems to write the same sort of novel each time, but because the subjects are different, the ways the novels play out are different. The technique that Chevalier uses is that she takes a painting that I presume she likes (or is just interested in). She learns as much of the backstory of the painting as possible and then writes a fictional novel about how this painting came about and who the artist and subjects are. In the two Chevalier novels I have read now, this has turned out to be much more interesting than it may at first sound.
The story in "The Lady and the Unicorn" is set in 15th Century Paris and Brussels. Nicolas des Innocents has been commissioned to create a set of tapestries for a minor member of the French nobility Jean Le Viste. This seems simple enough: Commission, Paint, Weave, Complete. What sets this novel apart is in the telling. Nicolas is a talented artist, but rather arrogant about his art. He mainly paints miniatures in great detail and has never had to design a tapestry (it takes a different sort of skill to design a tapestry). But Nicolas is also a lusty man. Months prior he had impregnated a maid at Le Viste's estate and this time he has his eye on a young woman named Claude. It also seems that Claude has her eye on Nicolas. There wouldn't be any trouble (or much) if it didn't turn out that Claude is Jean Le Viste's eldest daughter and heir to the estate. Now any tryst must be secret, but Claude's mother knows something is afoot so she works to keep them apart so Claude may keep her virginity and be an eligible bride with the estate as a dowry.
The scene later shifts to the weavers who will actually make the tapestries. Nicolas defies all custom and is personally involved in nearly all aspects of the making of the tapestries. He is no less lusty now that he is away from Claude, but we get to see more of his character as this section of the novel progresses. Throughout the novel we see how Nicolas's inspiration for the tapestry evolves and why he is creating the tapestries quite the way that he is. We get glimpses into the lives of the weavers, Nicolas, as well as Claude. This novel is told with multiple narrators in such a way that the shift in narration feels appropriate and smooth and these shifts serve to better advance the story and keep it moving along.
The opening of "The Lady and the Unicorn" felt a little crude with Nicolas's crass sexual interest in Claude, but as the novel wore on there became fewer crass lines and everything felt natural. For a novel about tapestries (but really about relationships), this one was fairly fast paced.
Snowflower and the Secret Fan
by Lisa See
This is a great book!
From School Library Journal
Adult/High School–Lily at 80 reflects on her life, beginning with her daughter days in 19th-century rural China. Foot-binding was practiced by all but the poorest families, and the graphic descriptions of it are not for the fainthearted. Yet women had nu shu, their own secret language. At the instigation of a matchmaker, Lily and Snow Flower, a girl from a larger town and supposedly from a well-connected, wealthy family, become laotong, bound together for life. Even after Lily learns that Snow Flower is not from a better family, even when Lily marries above her and Snow Flower beneath her, they remain close, exchanging nu shu written on a fan. When war comes, Lily is separated from her husband and children. She survives the winter helped by Snow Flower's husband, a lowly butcher, until she is reunited with her family. As the years pass, the women's relationship changes; Lily grows more powerful in her community, bitter, and harder, until at last she breaks her bond with Snow Flower. They are not reunited until Lily tries to make the dying Snow Flower's last days comfortable. Their friendship, and this tale, illustrates the most profound of human emotions: love and hate, self-absorption and devotion, pride and humility, to name just a few. Even though the women's culture and upbringing may be vastly different from readers' own, the life lessons are much the same, and they will be remembered long after the details of this fascinating story are forgotten.
This is a great book!
From School Library Journal
Adult/High School–Lily at 80 reflects on her life, beginning with her daughter days in 19th-century rural China. Foot-binding was practiced by all but the poorest families, and the graphic descriptions of it are not for the fainthearted. Yet women had nu shu, their own secret language. At the instigation of a matchmaker, Lily and Snow Flower, a girl from a larger town and supposedly from a well-connected, wealthy family, become laotong, bound together for life. Even after Lily learns that Snow Flower is not from a better family, even when Lily marries above her and Snow Flower beneath her, they remain close, exchanging nu shu written on a fan. When war comes, Lily is separated from her husband and children. She survives the winter helped by Snow Flower's husband, a lowly butcher, until she is reunited with her family. As the years pass, the women's relationship changes; Lily grows more powerful in her community, bitter, and harder, until at last she breaks her bond with Snow Flower. They are not reunited until Lily tries to make the dying Snow Flower's last days comfortable. Their friendship, and this tale, illustrates the most profound of human emotions: love and hate, self-absorption and devotion, pride and humility, to name just a few. Even though the women's culture and upbringing may be vastly different from readers' own, the life lessons are much the same, and they will be remembered long after the details of this fascinating story are forgotten.
Sister of My Heart
by Chitra Banerjee Divakari
Another excellent book.
This beautifully written book is the story of two young women who are born on the same day, in the same home, to newly widowed mothers. The women are cousins, but grow up with a bond that makes them linked like sisters. The two have very different lives, as Anju, the witty and smart one, is truly a member of the Chaterjee family(a family of wealth and privilege), where as Sudha, the beautiful one, is a distant cousin. The story of how Sudha came to be, and who her father really is, is one of the many sub-stories that weaves its way into this intricately developed book.
This book is about love, relationships, and about the fragility of life. It is also about things not always being what they seem. For Anju and Sudha are both forced to enter into arranged marriages. Poor Sudha's heart belongs to a man she met only once but was instantly drawn to, as he was to her. And the man she is led to marry answers none of her prayers. He is tied to his mother whom Sudha is never able to please. That story develops in ways I do not want to give away, but Sudha's character is one of strength and conviction.
Anju is set with a man who she is instantly taken by, and at first he is taken by her, until he meets Sudha. He lives in America, and in time Anju leaves India to become an American wife as well. The complexities of the relationship between Anju and her husband Sunil are never quite revealed, leaving the reader to imagine what is truly going on. However, the tension is obvious, and Anju always remembers the way Sunil looked at her cousin with longing.
Years pass and so do experiences, and Anju and Sudha do not share how they truly feel through letters or phone conversations until finally Anju truly needs her. Sudha's marriage does not quite go as planned, and he life takes unexpected twists and turns. As does Anju's. Ultimately leading them back into each other's arms and hearts.
Another excellent book.
This beautifully written book is the story of two young women who are born on the same day, in the same home, to newly widowed mothers. The women are cousins, but grow up with a bond that makes them linked like sisters. The two have very different lives, as Anju, the witty and smart one, is truly a member of the Chaterjee family(a family of wealth and privilege), where as Sudha, the beautiful one, is a distant cousin. The story of how Sudha came to be, and who her father really is, is one of the many sub-stories that weaves its way into this intricately developed book.
This book is about love, relationships, and about the fragility of life. It is also about things not always being what they seem. For Anju and Sudha are both forced to enter into arranged marriages. Poor Sudha's heart belongs to a man she met only once but was instantly drawn to, as he was to her. And the man she is led to marry answers none of her prayers. He is tied to his mother whom Sudha is never able to please. That story develops in ways I do not want to give away, but Sudha's character is one of strength and conviction.
Anju is set with a man who she is instantly taken by, and at first he is taken by her, until he meets Sudha. He lives in America, and in time Anju leaves India to become an American wife as well. The complexities of the relationship between Anju and her husband Sunil are never quite revealed, leaving the reader to imagine what is truly going on. However, the tension is obvious, and Anju always remembers the way Sunil looked at her cousin with longing.
Years pass and so do experiences, and Anju and Sudha do not share how they truly feel through letters or phone conversations until finally Anju truly needs her. Sudha's marriage does not quite go as planned, and he life takes unexpected twists and turns. As does Anju's. Ultimately leading them back into each other's arms and hearts.
Mary Called Magdalene
by Margaret George
Excellent!
It is easy to understand why there are those who may be uncomfortable with the "humanization" of [specifically] Jesus and his Mother Mary.
For those who believe that Mary, Mother of Jesus was a Virgin her entire life - the contents of this book will cause varying levels of discomfort - and will be either accepted or rejected as the individual reader sees fit. And for those who believe that Jesus was truly adored and spent his days on earth surrounded by a heavenly glow and a halo - this book will certainly create all kinds of mixed emotions.
However the contents of this book helps us to face the fact that Jesus was a man with the same fears, and dreams and mood swings - and expressions of temper [in the Temple] as we do today. Then we read how Mary, Mother of Jesus was burdened with many children - which crushes the "Virgin" beliefs.
But....all that aside...how I grew to love Mary from Magdala from her childhood until her death. I shared the wonders of her world as a child, her fears, her joys of young womanhood that lead us through her happy marriage, motherhood and then sadly, to the pain from the ultimate loss of her family and home. The depiction of her 'demons' [schizophrenia maybe]? was so well portrayed, I found myself involuntarily taking mental inventory of possible forgotten figurines in my home. [No - I'm not neurotic - it only lasted through the first few chapters - I'm back to normal now].
What a pleasure it has been to share Mary of Magdala's life - her losses, her joy of knowing and loving Jesus, her lifelong loyalty to the memory of her daughter - and her fierce determination until her death to make peace with her child.
Excellent!
It is easy to understand why there are those who may be uncomfortable with the "humanization" of [specifically] Jesus and his Mother Mary.
For those who believe that Mary, Mother of Jesus was a Virgin her entire life - the contents of this book will cause varying levels of discomfort - and will be either accepted or rejected as the individual reader sees fit. And for those who believe that Jesus was truly adored and spent his days on earth surrounded by a heavenly glow and a halo - this book will certainly create all kinds of mixed emotions.
However the contents of this book helps us to face the fact that Jesus was a man with the same fears, and dreams and mood swings - and expressions of temper [in the Temple] as we do today. Then we read how Mary, Mother of Jesus was burdened with many children - which crushes the "Virgin" beliefs.
But....all that aside...how I grew to love Mary from Magdala from her childhood until her death. I shared the wonders of her world as a child, her fears, her joys of young womanhood that lead us through her happy marriage, motherhood and then sadly, to the pain from the ultimate loss of her family and home. The depiction of her 'demons' [schizophrenia maybe]? was so well portrayed, I found myself involuntarily taking mental inventory of possible forgotten figurines in my home. [No - I'm not neurotic - it only lasted through the first few chapters - I'm back to normal now].
What a pleasure it has been to share Mary of Magdala's life - her losses, her joy of knowing and loving Jesus, her lifelong loyalty to the memory of her daughter - and her fierce determination until her death to make peace with her child.
Monday, June 19, 2006
Mayada - Daughter of Iraq - Jean Sasson
I bought this book at Wal mart because it looked interesting and found I could not put it down. It's really a book about living in Iraq under Saddam Hussein and prison and torture. It made me understand why Bush went into Iraq and got rid of Hussein....even if I wish we were out, and American lives weren't taken.
I intend to read more books like this.
I intend to read more books like this.
The Death Collectors by Jack Kerley
My husband read it and said I'd like it. He was right.
More than 30 yeqars ago, artist and serial killer Marsden Hexcamp was shot to death in an Alabama courtoom by a deranged fan. But during his trial, evidence from his crimes vanished from the police station.
Today, a prostitute's body found in a candlelit motel room is the first in a series of shocking discoveries that bring detectives into the lives of Death Collectors.
Quite interesting, I might say.
More than 30 yeqars ago, artist and serial killer Marsden Hexcamp was shot to death in an Alabama courtoom by a deranged fan. But during his trial, evidence from his crimes vanished from the police station.
Today, a prostitute's body found in a candlelit motel room is the first in a series of shocking discoveries that bring detectives into the lives of Death Collectors.
Quite interesting, I might say.
The Ice Queen by Alice Hoffman
From Publishers Weekly
Starred Review. "Be careful what you wish for. I know that for a fact. Wishes... burn your tongue the moment they're spoken and you can never take them back." Thus begins Hoffman's (Practical Magic; Here on Earth) stellar 18th novel about healing and transformation. As an eight-year-old, the unnamed narrator makes a terrible wish that comes true; remorseful for the next 30 years, she shuts down emotionally to become a self-proclaimed ice queen. Unlike her brother, Ned, who relies on logic, math and science to make sense of the world, the loner librarian fears the chaotic randomness of existence and is obsessed by death. Then lightning strikes, literally. In a flash, she's jolted out of her rut, noticing for the first time all that she's been taking for granted—even the color red, which after the strike she can no longer see: "How could I have been so stupid to ignore everything I'd had in my life? The color red alone was worth kingdoms." The novel turns sultry when the slowly melting ice queen seeks out reclusive Lazarus Jones, a fellow lightning survivor who came back to life after 40 minutes of death: "I wanted a man like that, one it was impossible to kill, who wouldn't flinch if you wished him dead." Blanketed in prose that has never been dreamier and gloriously vivid imagery, this life-affirming fable is ripe with Hoffman's trademark symbolism and magic, but with a steelier edge: "Every fairy tale had a bloody lining. Every one had teeth and claws."
Starred Review. "Be careful what you wish for. I know that for a fact. Wishes... burn your tongue the moment they're spoken and you can never take them back." Thus begins Hoffman's (Practical Magic; Here on Earth) stellar 18th novel about healing and transformation. As an eight-year-old, the unnamed narrator makes a terrible wish that comes true; remorseful for the next 30 years, she shuts down emotionally to become a self-proclaimed ice queen. Unlike her brother, Ned, who relies on logic, math and science to make sense of the world, the loner librarian fears the chaotic randomness of existence and is obsessed by death. Then lightning strikes, literally. In a flash, she's jolted out of her rut, noticing for the first time all that she's been taking for granted—even the color red, which after the strike she can no longer see: "How could I have been so stupid to ignore everything I'd had in my life? The color red alone was worth kingdoms." The novel turns sultry when the slowly melting ice queen seeks out reclusive Lazarus Jones, a fellow lightning survivor who came back to life after 40 minutes of death: "I wanted a man like that, one it was impossible to kill, who wouldn't flinch if you wished him dead." Blanketed in prose that has never been dreamier and gloriously vivid imagery, this life-affirming fable is ripe with Hoffman's trademark symbolism and magic, but with a steelier edge: "Every fairy tale had a bloody lining. Every one had teeth and claws."
Burned Alive by Souad
I liked the book, but it's so sad
From Amazon:
When she was 18, her brother-in-law poured gasoline on her and set her aflame. She was meant to die because she was pregnant and unmarried, bringing disgrace to her parents. But she survived, and now, 25 years later, "Souad" bears witness to the horror of "honor crimes" that kill thousands of women every year in many countries across the world. She begins with a bitter account of what it was like to grow up female in a remote Palestinian village in the Occupied Territory. "Being born a girl was a curse." Unlike her brother, she never went to school. Her father beat her daily. She worked as a shepherd, a "consenting slave." She barely glimpsed the city, where women were free to work and move around. Her rescuer was Jacqueline, a European aid worker, who was in the Middle East to care for children in distress and who arranged for the badly burned young woman to be flown to Switzerland, where she and her newborn baby received medical care and support. Today Souad is "somewhere in Europe," married with three children, her testimony still anonymous for her protection. Occasional chapters by Jacqueline fill in the wider context, but it's the immediacy of the shocking first-person narrative that drives home the statistics. Like Mende Nazer's Slave [BKL D 1 03], this book is a call to action. Hazel Rochman
From Amazon:
When she was 18, her brother-in-law poured gasoline on her and set her aflame. She was meant to die because she was pregnant and unmarried, bringing disgrace to her parents. But she survived, and now, 25 years later, "Souad" bears witness to the horror of "honor crimes" that kill thousands of women every year in many countries across the world. She begins with a bitter account of what it was like to grow up female in a remote Palestinian village in the Occupied Territory. "Being born a girl was a curse." Unlike her brother, she never went to school. Her father beat her daily. She worked as a shepherd, a "consenting slave." She barely glimpsed the city, where women were free to work and move around. Her rescuer was Jacqueline, a European aid worker, who was in the Middle East to care for children in distress and who arranged for the badly burned young woman to be flown to Switzerland, where she and her newborn baby received medical care and support. Today Souad is "somewhere in Europe," married with three children, her testimony still anonymous for her protection. Occasional chapters by Jacqueline fill in the wider context, but it's the immediacy of the shocking first-person narrative that drives home the statistics. Like Mende Nazer's Slave [BKL D 1 03], this book is a call to action. Hazel Rochman
The City of Falling Angels - by John Berendt
It wasn't as good as Midnight in the Garden of Evil, but defintely worth a read.
It's a book about Venice and really about it's people. I didn't really feel the history as much as I did the attitude of the Italian Vencians. It's pretty political and if you've ever been to Italy, it's quite contradictory.
Interesting at points, but it didn't hold my interest the whole way through.
It's a book about Venice and really about it's people. I didn't really feel the history as much as I did the attitude of the Italian Vencians. It's pretty political and if you've ever been to Italy, it's quite contradictory.
Interesting at points, but it didn't hold my interest the whole way through.
England & Scotland
I absolutely loved reading about Henry VIII and his wives. The author is Jean Plaidy and the books are:
In the Shadow of the Crown
The Lady in the Tower
and
this is about Henry's sister who was the Queen of Scottland:
The Thistle and the Rose.
History written beautifully. I can't get enough of this author and will continue to read her books. There are many in both series
Highly recommended all 3
In the Shadow of the Crown
The Lady in the Tower
and
this is about Henry's sister who was the Queen of Scottland:
The Thistle and the Rose.
History written beautifully. I can't get enough of this author and will continue to read her books. There are many in both series
Highly recommended all 3
2nd Annual Cruise
We had SO MUCH FUN! Jonathan and his friends were a blast! I hope we're invited to vacation with them again. Lisa and I loved Jamaica the most. Such lush, hilly, beautiful scenery.
We had fun in Grand Caymen because we snorkeled for our very first time and loved it! Not too many pictures from there because most were taken underwater with a disposable camera.
Cozumel was fun because we went to Senor Frogs with Thahn and John. Lisa being of age, had a margarita. Crazy people party there!
We loved the Bahamas and Princess Cays is set up so cozy and exotic.
Here are the pictures!
http://www.flickr.com/photos/ginaa/
We had fun in Grand Caymen because we snorkeled for our very first time and loved it! Not too many pictures from there because most were taken underwater with a disposable camera.
Cozumel was fun because we went to Senor Frogs with Thahn and John. Lisa being of age, had a margarita. Crazy people party there!
We loved the Bahamas and Princess Cays is set up so cozy and exotic.
Here are the pictures!
http://www.flickr.com/photos/ginaa/
